Auto-Switcher and USB interfaceThe Radial SW8-USB is a streamlined solution for employing redundant playback systems on stage, with dual USB inputs that allow you to connect directly to your primary and backup computers, providing eight channels of high quality audio and peace of mind during a live performance.Switch between redundant playback systemsTwo USB inputs eliminates the need for additional audio interfacesManual or seamless automatic switchingLine level or transformer-isolated mic level outputsSynchronize both playback systems using MTCThe all-in-one backing track solutionThe SW8-USB is the complete solution for performances that utilize redundant playback systems for backing tracks, combining two built-in high performance USB interfaces with an auto-switching feature that detects dropouts and effortlessly switches to the backup computer in an instant. Dual USB inputs with separate 24bit/192kHz converters allow two computers to be connected in tandem, so digital workstations on both machines can connect to the SW8-USB as an audio and MIDI interface. Start/stop synchronization is also possible between both computers through MTC, ensuring flawless switching between playback rigs with less equipment than ever.Connecting redundant playback computersThe SW8-USB connects directly to your primary and backup computers over USB, eliminating the need for bulky and expensive audio interfaces. Connect the balanced analog outputs to the PA system and engage the auto-switch mode to instantly switch to the backup system should an error occur. An optional JR-2 footswitch can be employed to manually switch between the inputs or put the SW8-USB into standby mode between songs.Link multiple devices for up to 24 channels of playbackUp to three SW8-USB units can be connected at the same time, providing 24 channels of redundant playback for larger setups. Connect each SW8-USB directly to your primary and backup computers, and link all three with TRS cables so they switch over simultaneously.Link multiple SW8-USB through a Thunderbolt hubSW8-USB units can be linked for up to 24 channels of playback tracks. To accomplish this with only a single connection to each computer, connect all three SW8-USB units to a Thunderbolt-equipped hub to provide a suitable transfer speed for all three units to operate simultaneously.

Guitar, Amp, & FX Signal ManagerThe Radial JX44 V2 is a guitar, amplifier, and FX signal manager redesigned for today’s touring professional, with unique features such as an assignable stereo FX loop, the ability to connect to remote pedalboards without signal loss, and options for footswitch control including built-in MIDI functionality.Switch between 4 instrument inputs and 4 amp outputsAssignable stereo effects loop simplifies FX routingConnect to a local or remote pedalboard with SGI-44Remote switching control with optional JR-5 or MIDIGold-contact i/o connections, and premium Jensen transformersBuilt-in 120/240V power supply for worldwide touringStress-Free Signal ManagementCreated to meet the needs of meticulous guitar techs and built to handle the rigors of concert touring, the JX44 V2 is the professional's choice for managing and switching guitar signals on stage. Four instruments or wireless receivers can be connected and activated simultaneously, with all inactive inputs automatically feeding a buffered Tuner output, streamlining instrument hand-offs and accommodating for silent tune-ups during a performance. Inputs and outputs feature large illuminated switches for instant visual feedback, and redundant front-panel input jacks accommodate for last minute changes on the fly. All switching is silent and immediate, for flawless transitions that enhance the performance without disruption.FX Routing and Remote ControlThe JX44 also handles complex effects routing with ease, with connections for a local stereo EFX loop and the ability to assign individual EFX channels to any amplifier for wet/dry/wet setups. Remote pedalboards can also be added without signal loss or degradation using the optional SGI-44, giving the artist control over pedal FX without sacrificing tone, even from 100 feet away. While the JX44 V2 works on its own as a complete guitar control center, it can also be controlled remotely, with dual inputs for Radial JR-5 remote footswitches to control either guitar or amp switching, and a MIDI 5-pin connection for operation via MIDI controllers and foot pedals.Putting Tone and Quality Above AllFour unbalanced outputs are all isolated with premium Jensen transformers for optimal tone and signal quality, with ground lift and 180 polarity reverse switches, ensuring multi-amp setups playback without phase issues or ground loop noise including hum and buzz. Gold-contact connectors are used throughout, with Radial’s trusted build quality to survive any touring conditions with ease. A Radial DI box output is also included for when a direct feed from acoustic instruments to FOH is required, also Jensen-equipped. For use on world touring acts, the JX44 V2 features an internal 120/240V switching power supply with an IEC cable that can easily be swapped out when travelling internationally.Switch between four guitars and four ampsInstrument and amp changeovers on stage are seamless and noise-free with the JX44. Use the front panel controls or connect the optional JR-5 remote footswitch to select guitars or amps.Route effects to multiple amplifiersA local stereo effects loop on the JX44 allows you to connect rackmount or pedal effects and easily assign them to each of the amplifier outputs, making various wet/dry setups a breeze.Connect a remote pedalboard with the SGI-44With the optional SGI-44 remote effects loop, you can connect a pedalboard from up to 300 feet away without signal loss or added noise, keeping the artist in control of their sound while the JX44 is off stage.Control guitar & amp switching via MIDIThe JX44 has a built-in MIDI input that allows all switching features to be controlled using a MIDI controller or pedalboard, so you can program all changes ahead of time for a stress-free gig.

Rackmount Line-Level Splitter & IsolatorThe Radial LX8™ is an eight channel passive line-level splitter designed to send multiple channels to three destinations at once, while providing transformer isolation and eliminating hum and buzz caused by ground loops.8-Channel balanced line level splitter & isolatorHandles +26dB signals without distortion or noiseJensen transformer-equipped for exceptional audio qualityEliminates buzz and hum caused by ground loopsThe professional touring signal splitterThe Radial LX8 is designed specifically to manage balanced signal splitting in professional audio systems. The single rack space design begins with a 100% passive circuit which means it does not require any power to operate. Inside, each of the eight channels is equipped with a premium Jensen® JT-123-SLPC transformer that is able to handle transients in excess of +26dB at all frequencies right down to 20Hz without audible distortion. This results in an accurate signal transfer with minimal phase shift or distortion. When used in larger systems, you benefit from significantly lower noise, making the LX8 the best choice for any demanding multi-channel audio system.Using the LX8 to split line levels on stageRecording live using high quality preamps delivers the best results. Connect your preamps to the LX8 and split the signal to the recorder and the PA using the isolation to eliminate hum & buzz caused by ground loops.Using the LX8 to feed two different audio systemsRunning audio around various environments such as large venues, multi-function rooms or broadcast facilities can often lead to noise polluting the audio system. The LX8 eliminates noise problems due to ground loops.Using the LX8 to feed delay towersIn larger installations, running audio to multiple destinations can cause havoc with noise due to uncertain power conditions. The LX8 isolates the second output to eliminate ground loops, reducing system set-up problems.

Das Fireface UCX II ist eine hoch integrierte Pro-Audio Lösung in einem ultra-kompakten Format für Studio- wie Live-Betrieb. Es steht in der langen RME-Tradition ultra-kompakter High-End-Interfaces, die in einem Halb-19-Zoll-Gehäuse Features, Funktionalität und Qualität vereinen, für die andere Hersteller mehrere volle Rackbreiten benötigen. Dieses einmalig kompakte Audiosystem ermöglicht das Überspielen analoger und digitaler Audiodaten von praktisch beliebigen Quellen in Windows- und Mac-Computer. Zahlreiche einzigartige Merkmale, durchdachte Settingsdialoge, eine überragende und sehr flexible Mixer- und Monitoring-Lösung, professionelle DSP Effekte, sowie exzellente analoge Schaltungen mit selektierten digitalen Wandlern ermöglichen einen schnellen, komfortablen und effizienten Einsatz des Fireface UCX II.Auf der Frontseite beherbergt das Fireface UCX II zwei Mic/Line-Vorverstärker im XLR-Kombiformat sowie zwei Line-/Instrumenteneingänge, die jeweils digital gesteuert werden können. Daneben befinden sich der Kopfhörerausgang, diverse Wahltaster, das Display sowie der zentrale Lautstärke- und Auswahlregler. Rückseitig stehen zehn analoge symmetrische Line-Ein- und Ausgänge, MIDI I/O, ADAT I/O, AES/EBU und SPDIF I/O, USB 2.0 sowie ein schaltbarer Wordclock-I/O zur Verfügung. DURec ist ein integrierter Digitalrekorder für alle Ein- und Ausgänge direkt auf USB-Speichergeräte über den rückseitigen USB-Anschluss. Er ermöglicht die Aufzeichnung auf USB-Sticks oder Festplatten mit bis zu 2 TB Kapazität. Die Aufnahmefunktionalität wird durch den internen DSP bereitgestellt und ist somit unabhängig von einem angeschlossenen Windows- oder Mac-Computer. Dieser USB-Port kann alternativ für den direkten Anschluss von RME’s optionaler ARC USB-Fernbedienung genutzt werden.Das Fireface UCX II wird mit dem DSP-Mixer TotalMix FX ausgeliefert, der umfangreiche Routing- und Monitoring-Optionen bietet, sowie mit dem DIGICheck Analyzer, der die digitale Dateneinspeisung in beide Richtungen mit höchster Präzision messen und analysieren kann. TotalMix FX kann einen externen Mixer komplett ersetzen und ermöglicht die Erstellung mehrerer latenzfreier Monitor-Mixe mit EQ, Dynamics, Reverb und Delay für beliebige Ausgänge, inkl. Hauptmonitore und Kopfhörer-Mixe für Musiker. Das Fireface UCX II arbeitet in zwei verschiedenen Modi: treiberbasiertes USB2 und Class Compliant. Der Class Compliant Modus ist ein Standard, der von Betriebssystemen wie Windows, Mac OSX und Linux-Distributionen nativ unterstützt wird. Es werden keine proprietären Treiber benötigt, das Gerät wird direkt erkannt, wenn die CC-Firmware geladen wird. Die nativ verfügbaren Funktionen sind im Vergleich zu denen des RME Treibers für das UCX II eingeschränkt.Features 40 Kanäle Leistungsstark und portabel Aufnahme direkt auf USB-Speichergeräte möglich Interner DSP AutoSet: Digitale Gain-Steuerung Inklusive TotalMix FX SoftwareTechnische Daten Kanäle: 20 Eingangskanäle / 20 Ausgangskanäle Eingänge: 2x XLR/Klinke Kombibuchse / 6x 6,3 mm Klinke / 1x MIDI / 1x ADAT / 1x AES/EBU Ausgänge: 6x 6,3 mm Klinke / 1x 6,3mm Klinke (Kopfhörer) / 1x MIDI / 1x ADAT Wordclock: Ja (in/out) Daten: 1x USB-B 2.0 (zur PC-Verbindung) / 1x USB-A 2.0 (zur Aufnahme auf USB-Speichergeräte) Auflösung: 24 Bit Sample Rate: 192 kHz Frequenzgang: 2 Hz - 20,8 kHz THD+N: < -104 dB, < 0,00063 % Rauschabstand: 112 dB RMS (unbewertet) Übersprechdämpfung: > 110 dB Eingangsimpedanz: 8 kOhm Maximaler Eingangspegel: +19 dBu Maximaler Ausgangspegel: +19 dBu Maximale Ausgangsleistung pro Kanal: 310 mW Jitterunterdrückung bei externer Clock: > 50 dB (2,4 kHz) Lock Range: 27 kHz - 200 kHz Stromversorgung: Externes Netzteil Typischer Leistungsbedarf: 13 W Strombedarf bei 12 V Betriebsspannung: 910 mA (11 W) Maße (BxTxH): 265 x 155 x 44 mm (9,5 ", 1 HE) Gewicht: 0,91 kg

Studio Guitar Distribution and SplittingThe JD7™ is a guitar signal splitter that is able to drive as many as seven amplifiers at the same time without introducing noise, signal loss, or hum and buzz from ground loops.Drive up to 7 amplifiers and 2 effects loops at the same timeJensen transformer isolation eliminates hum and buzzBuilt-in Radial Direct box and Reamp® capabilitiesDrag control load correction for natural toneNatural tone, quiet operationThe JD7 allows you to feed up to seven amplifiers simultaneously, with premium Jensen transformers on the outputs that ensure distortion-free signal transfer while blocking hum and buzz from ground loops. To help retain the natural tone of your instrument, Drag control load correction is also featured on the input so you won't lose the tone and feel of connecting your guitar directly to an amplifier.Record direct and Reamp® through multiple ampsThe JD7 has a built-in Radial DI box, so you can take a clean guitar track directly to your recording interface while simultaneously playing through multiple amplifiers. A Reamp® input allows you to send your recorded guitar track from your recording device back through any or all of your amps, so you can focus on the performance and have the freedom to tweak your amps and microphones later on.Using the JD7 as a splitterThe JD7 is equipped with A or B inputs and 6 guitar outs on the front panel plus a tuner out on the rear. Use ch-1 with a properly grounded amp, then add as many as you like. All outputs are isolated to eliminate hum and buzz.Using the JD7 for ReampingStart by recording a dry track using the JD7's DI output. Then send the clean track back to the Radial JD7's rear panel XLR input. Adjust the level and you are now set to drive as many amps as you need. Move the mics, change the tone settings.Using the JD7 with effectsA great way to quiet down noisy guitars is to run all your signals through the JD7. The high performance class-A buffers and Jensen transformer isolated outputs are truly amazing! Channels 5 and 6 are also equipped with effects loops.

Six-Channel Passive Direct BoxThe JD6™ a high performance six-channel rackmount direct box designed for the most demanding studio and live touring applications.Multi-channel direct box for concert touring and studio recordingJensen transformer-equipped for exceptional audio qualityHandles hot signal levels without distortionFront and rear panel connectivity for additional routing OptionsSix JDI direct boxes in oneStemming from the industry standard Radial JDI™, the JD6 incorporates six premium Jensen transformers with extra RF filtering to ensure optimal signal transfer with the minimal noise, phase shift, or distortion. These are also able to withstand extreme signal levels, which makes the JD6 particularly effective when managing high-output active devices such as digital pianos that will often overload most direct boxes or preamps. Each JD6 channel is equipped with a rear-mounted ¼" instrument input and thru-put for the artist's amp plus a balanced XLR output to feed the mixing desk, while Channels 1 and 2 include front panel connectors that switch the input as soon as a cable is inserted for improved efficiency in the studio.The JD6 on StageUse channels 1 and 2 to patch in a stereo master keyboard via the front panel and connect your rackmount synths and modules using the rear panel connectors.Using the JD6 in the StudioThe JD6 is great to patch in all kinds of instruments… not just keys! It features the same fabulous audio signal path as the world renowned Radial JDI, only six times better!

Rackmount Mic-Level Passive SplitterThe OX8™ is an eight channel passive mic splitter designed to send the outputs of multiple microphones to three destinations at once, with transformer isolation and ground lifts to eliminate hum and buzz from ground loops.Balanced 8-channel microphone signal splitterDelivers high quality audio without distortionChoice of Eclipse or premium Jensen transformersEliminates hum and buzz caused by ground loopsNoise-free microphone splittingThe Radial OX8 is a professional audio tool that is equally at home on a live stage as it is in a broadcast studio, splitting eight microphone signals to multiple destinations simultaneously without noise or distortion, and eliminating hum and buzz from ground loops. Each channel is configured with a balanced input, a direct out which also serves as a return path for 48V phantom power, a thru-put with a ground lift switch, and a fully transformer-isolated output. The OX8 may be ordered with premium Jensen JT-MB-CPC transformers or Eclipse ET-MS10 transformers as an affordable alternative. Each channel also benefits from an ultra-short signal path and built in RF filters to ensure absolute quiet performance even in the most noise-prone environments.Using the OX8 to record a live showThe OX8 is ideal for recording a live show. Simply connect the stage mics to the OX8 and split the signal from the OX8 to the recorder and the PA system. The transformers will isolate the recording system to eliminate hum and buzz caused by ground loops.Using the OX8 with a live PA systemThere is nothing more bothersome than hum and buzz coming at you through the stage monitors. The OX8 is easily configured to isolate the FOH and monitor consoles to ensure noise-free performance. Gang up as many as you need for 16 or more channels.Using the OX8 to broadcast a live eventGo all the way by using the auxiliary out to feed the monitors and the isolated out to feed a broadcast truck. The OX8s amazing sound quality will deliver a distortion free feed to the broadcaster while enabling the PA system to work independently.

Passive 8-Channel Rackmount Direct BoxThe ProD8 is a high performance 8-channel passive direct box optimized for keyboard rigs in professional touring, with redundant 1/4″ inputs for each channel and a completely passive design that requires no power to operate.High density 8-channel rackmount DI for keyboardsReversible rack ears to optimize patching setupWithstands extreme dynamics from high-output sourcesRedundant inputs let you incorporate a backup SystemProfessional performanceThe ProD8 features up to 8 direct box outputs in a single 1RU rack space for professional touring, with dual ¼" inputs on each channel to incorporate a backup system or connect up to 16 channels of audio at once. A ¼" TRS effects insert jack on each channel allows for connection to various effects devices while adding greater routing options, while a thru-put jack delivers a direct feed to the artist's playback system. The front panel features isolated XLRs for balanced low-noise outputs, each equipped with ground lift and 180° polarity reverse switches.Transformer driven for greater headroom & low noiseThe engine inside the ProD8 is a custom wound Eclipse ET-DB2 transformer that performs both the impedance matching and balancing. Linear from 20Hz to 20kHz, it is able to withstand the extreme dynamics common with today's digital keyboards. Unlike active circuits that overload and square wave when the rail voltage is exceeded, transformers saturate. This means that as the signal increases, the ProD8 naturally rounds out the tone producing a warm Bessel curve reminiscent of the very best vintage audio gear. The other significant advantage to this passive design is 100% galvanic isolation between the source and destination, which eliminates hum and buzz caused by ground loops.Adaptable ConfigurationTo enhance setup options, the Radial ProD8 is equipped with reversible rack ears. This handy feature allows the system tech to position the inputs on the front of the rack when interfacing with external keyboards or have them inside if the setup is predominantly equipped with rack modules.The ProD8 in the StudioSet the ProD8 rack ears so that the ¼ inputs are on the front panel to make patching different instruments easy. This give you access to the dual inputs and thru-put jacks for quick connection to amps in the studio.The ProD8 with Rack SynthsSet the ProD8 up with the XLR outputs facing front to accomodate touring racks of modular synths. With the ¼ inputs on the inside of the rack your synths stay connected while sound techs patch the XLR outs into the main snake and PA system.Using the ProD8 for Backing TracksThe ProD8's dual summed inputs make it convenient for patching two sources into each channel at the same time. This lets you use the ProD8 for backing tracks with two multi-track running in sync or redundant keyboard setups for live performances.

Ultimate Keyboard ControlThe KL-8 is a rackmount keyboard mixing station designed to provide complete control over a professional keyboard setup, both on-stage and in the recording studio.Four stereo analog inputs for keyboardsRedundant USB connections for laptop soft-synthsStereo Aux Send/Receive with optional footswitch controlHeadphone outputs and cue switches for silent monitoringLink multiple KL-8s for larger SetupsPut yourself in control of the mixThe KL-8 is a powerful mixing station created with keyboard pros in mind, with a number of features designed specifically to streamline and enhance any keyboard setup. You can connect up to four keyboards in mono or stereo, with level controls, aux sends, and LED indicators for each. A stereo aux send/receive is available to feed rackmount reverbs and delays and effects pedals, or it can be used as an additional input for a fifth keyboard. MIDI and USB connections make it easy to control a laptop soft-synth, utilizing high quality 24bit/192kHz digital audio converters. The KL-8 also features multiple output options, with transformer-isolated XLR main outputs to feed the PA, monitor outputs for a set of speakers on stage, and dual headphone outputs for local monitoring and testing.Redundant USB inputsWhen you can't afford to have a break in the performance due to laptop failure, the KL-8 allows you to set up redundant laptop systems and seamlessly transition from one to another. A secondary USB input on the KL-8 allows you to keep your backup laptop at the ready - when failure occurs simply hit the USB select switch on the front panel or use the optional JR-1L remote footswitch to instantly switch to the backup system.Silent cueing and monitoring via headphonesA built in headphone amp and dual 1/4" TRS outputs give you the option to practice and record silently, or cue up individual inputs on stage without feeding signal out to the audience over the PA system. Each input channel on the KL-8 is accompanied by a Cue switch that will remove that input from the main and monitor outputs and reroute it directly to the headphones, so you can easily adjust patch settings and test playback over USB without affecting the performance.Easily manage a multi-keyboard setupThe KL-8 allows you to mix up to four keyboards send a stereo or mono feed over XLRs to the PA system. 1/4" TRS insert connections allow you to connect a stereo volume pedal and control the overall output, and XLR monitor outputs and headphones are provided for monitoring your signal on stage.Integrate a soft-synth on stageThe KL-8 can take the MIDI output from a controller to play a soft-synth on your laptop. High quality digital-to-analog converters give you great sound quality on local monitors and at the PA system.Combine analog and digital on stageMix four keyboards together with the output of a laptop soft-synth, making the KL-8 the center of your performance setup. Stereo Auxiliary send and return connections allow you to incorporate rackmount effects or pedals into the signal chain.Create redundant laptop systemsThe KL-8 features a secondary USB input, so if your main laptop fails during a performance, you can seamlessly switch to a backup system for soft-synths or playback tracks. A USB-select switch on the front panel determines which of the two USB inputs is active.Integrate footswitch controlThe optional JR-1L footswitch can be used to control the USB switching feature or turn the Aux on and off, giving you the ability to activate your effects during a solo, or provide a hands-free way to quickly switch to your backup laptop.The KL-8 as a recording interface24bit/192kHz converters provide more than just high quality playback on stage, the KL-8 can also be used to record pristine tracks using your favorite audio program. This allows you to easily record studio-quality tracks while on the road, or to capture your live performance.

High Definition Studio PreampThe HDI is a studio-quality preamp designed to create exceptional recordings with any instrument, utilizing premium Jensen transformers and a unique Color control that provides an entirely new yet familiar-sounding sonic palette to experiment with.Dial in an amazing tone within secondsBlend from ultra-clean to amp-like distortionSmooth Opto compressor for peak reductionMic and line-level outputsOversized custom-wound Jensen transformerInstant GratificationDespite the complex circuitry housed within the unit, the HDI has an elegant set of controls that allows the musician or engineer to dial up a record-ready sound with a minimal amount of tweaking required. The Level control drives the inputs of the HDI with instant visual feedback from the responsive front panel meter, while the Color knob provides seamless blending between an ultra-clean tone and amp-style distortion and saturation, so you can add just the right amount of character and grit to your instrument. A smooth Opto compressor can be engaged to control the peaks of the input signal, and a High-Pass Filter clears up any excessive low frequencies added by the Color control. Lastly, a Presence control accentuates the highs and high-mids, providing the ability to cut through the mix with results that are sure to impress.Looks and PersonalityWith its gunmetal anodized 1/4" thick milled front panel and distinctive styling reminiscent of classic outboard studio equipment, the HDI is sure to turn heads in any recording space. A custom output meter provides a level check at a glance, with oversized chrome knobs for precise adjustments and easy tweaking on-the-fly. The HDI is a stunning standalone unit, but it also comes complete with mounting hardware to install in standard 19" equipment racks. One or two HDI's can be installed side-by-side in a 2RU rack space, and like all Radial products, they are built with rugged components and designed to easily withstand the rigors of concert touring.Using the HDI alongside an amplifierRecord bass directly from the HDI while also feeding the unbuffered Thru output to a mic'd up amplifier to blend the two signals together. The HDI sounds so good on its own you just might mute the amp track altogether.Using the HDI on acoustic guitarThe HDI pairs well with any instrument - with acoustic guitar it can add additional body and character that other direct boxes may lack. Take the line-level XLR output directly to your recording interface to bypass the need for any additional gain stages in the signal path.Using the HDI Processed OutputThe HDI can feed processed signals to your amplifiers at the same time as you feed the inputs of a mixer or audio interface. This allows you to provide additional gain, saturation, and distortion to the inputs of a clean amp or an amp modeling system.Using the HDI with modular synthesizersA dedicated Synth Input has a lower sensitivity to accommodate the hot outputs of modular synths or even other studio outboard equipment, allowing you to use the HDI to process any instruments or tracks you can think of.

Monitor ControllerThe Nuance Select is a completely transparent studio monitoring system, giving you control over two sets of monitors and a subwoofer with zero sonic coloration.Silently switch between two sets of monitors & a subwooferDual stereo input sources with an assignable Aux outputTwo independent headphone amplifiers with source selectionExtremely low distortion for complete TransparencyControl without ColorationThe Nuance Select is a studio monitor controller designed so you can hear every single detail through your speakers, with a distortion profile so low that it cannot be measured by most audio testing equipment. Complete audio transparency is achieved through our innovative Clarity Circuit that allows you to hear the true mix through your speakers without any sacrifice in audio quality, all while still providing you with total control over your monitor setup.Looking the PartHoused in a robust steel enclosure with a milled aluminum faceplate, the Nuance Select will fit the aesthetic of any studio space and easily incorporate into your workflow, with a streamlined approach to the feature set. Backlit monitor selection and control switches are complemented by oversized chrome knobs on the headphone and master level controls.Inputs, Outputs, and Useful Add-onsThe Nuance Select features two sets of stereo source inputs, along with two sets of balanced TRS outputs for powered speakers. A full-range subwoofer output is also included that can be activated with either set of speakers as desired. Two independent headphone amplifiers are available for monitoring or control room tracking – each headphone output can be assigned to its own stereo source so you can feed a cue mix to an artist while monitoring the main mix yourself. The headphone outputs are provided on easily accessible front panel jacks, and a stereo Aux output is available on the rear panel that can be used to feed an additional headphone amplifier for live room tracking.Controlling your studio monitorsThe Nuance allows you to switch between two sets of speakers while also having independent control over a full-range subwoofer output, so you can turn it on or off with either set of monitors. Switch between two stereo sources as well to compare reference tracks or monitor a cue mix.Dual assignable headphone outputsTwo reference-grade headphone amplifiers are also built into the Nuance Select, each with an assignable input. This allows you to check the main mix on headphones, while also feeding a separate cue mix to an artist in the control room.Adding the Aux outputThe Aux output on the Nuance Select makes it easy to feed an additional headphone amplifier for live room tracking as well. The Aux out can be turned on or off using a local control, and it can be assigned to either input source just like the headphone outputs.Using the Sub Out for a mono speakerThe Subwoofer output can also be used to connect a mono speaker as an additional reference point alongside your stereo monitors. This output is fed a full-range signal, and you can easily turn off the A and B speaker pairs to solo this output.

Take complete control over your tone, EQ settings, and effects with the PZ-Pro, a two channel instrument preamp, DI and switcher. Each channel features a separate equalizer strip complete with a filter section to reduce feedback on stage. The second channel of the PZ-Pro also features a microphone input to allow any dynamic or condenser microphone to be used, including clip-on instrument mics. Three footswitches provide the ability to toggle between each input channel, activate a built-in booster and an effects loop, or mute the signal for silent tuning on stage.2 channel acoustic instrument preamp with separate EQsPiezo input boosters available on both channelsXLR input with available phantom power on channel 2Assignable FX loop with wet/dry ControlMission control for your acoustic setupThe PZ-Pro is designed for instrumentalists and performers who take a no-compromise approach when it comes to tone, both on stage and in the recording studio. Dual input channels allow you to switch between or blend together two sources, with full control over the sound of each input. Each channel has its own semi-parametric equalizer section and input level, along with individual filter controls to reduce feedback on stage. The second channel of the PZ-Pro also features a microphone input to allow any dynamic or condenser microphone to be used, including clip-on instrument mics or even vocal microphones. An FX Loop with a wet/dry knob provides the ability to blend in as much or as little pedal effects as desired, with a footswitch to bring them in and out of the signal chain at a moment's notice. Finally, once your tone is completely dialed-in, balanced XLR direct outs feed the PA system or a recording interface, with both Pre-EQ and Post-EQ outputs available.Adaptable for any applicationThe PZ-Pro is highly configurable, so you can adapt it to meet the needs of your performance, instead of changing your performance to fit the limitations of your gear. Connect magnetic pickups, instruments with on-board preamps, or piezo transducers, and optimize the sound of each with powerful EQ controls and a variable notch or high-pass filter. Blend an instrument mic with your pickups, switch between two instruments, or connect a vocal microphone and feed it through your guitar pedals. The FX loop can be assigned to channel A, B, or both at once, and you can activate it with a footswitch or assign it to be always on, saving footswitch control for the variable clean boost function. With the PZ-Pro, you get the durability and performance Radial is known for, along with all the features you need to put on an unforgettable show.Switch between and EQ acoustic guitars on stageThe PZ-Pro gives you the ability to balance the levels between two instruments while adjusting individual EQ and filter settings to dial in the tone and reduce feedback on stage. Use the Mute footswitch for silent on-stage tuning.Combine pickups and a microphone on acousticThe PZ-Pro features an XLR input with 48V phantom power for condenser microphones, so you can blend your instrument's pickups with a live mic for a more natural sound. Activate FX pedals or a built-in clean boost with the press of a footswitch.Blend a vocal mic with your instrument for solo performancesThe microphone input isn't limited to instruments only: connect a vocal mic and create an all-in-one voice and instrument control station. Get creative and share your FX pedals on vocals for a unique sound.A multi-instrumentalist's dreamFull EQ and filter controls on each channel allow you to combine any two instruments seamlessly on stage. Each channel is also equipped with a special PZB booster that can smooth out the sound of piezo-equipped instruments.chieve studio-quality bass tone on stageA classic studio trick for acoustic bass is to combine a pickup and a bridge mic, while EQ'ing the mic for low-end and the pickup for attack and definition. The PZ-Pro allows you to achieve the same results on stage with exceptional results.

Dual Output Dante EndpointThe DAN-RX2 is a 2-channel 24bit/96kHz digital to analog endpoint that allows you to output audio from a Dante or AES67-compliant network for connection to professional audio systems.Stereo analog output device for Dante networksBalanced XLR outputs for connection at mic or line levelBuilt-in headphone amplifier for personal monitoring24bit/96kHz digital to analog conversionCompliant to AES67 specificationsRobust digital audio distributionThe DAN-RX2 is a road-worthy digital receiver capable of delivering two channels of analog audio to any location from a Dante or AES-67 compliant network. Balanced XLR outputs include a ground lift and a separate headphone amp with its own level control is included for local testing or personal monitoring. The RJ45 network connection is compatible with Neutrik etherCON connector carriers to prevent accidental disconnection and protect cable terminations. Redundant powering is available for critical applications by using the included external power supply and Power over Ethernet (PoE) simultaneously, and the DAN-RX2 can be mounted in 19" equipment racks with the optional SA series rackmount adaptor kit.Using the DAN-RX2 to connect a small PA systemQuickly route a stereo feed to small PA systems in overflow rooms or remote locations within the venue.Using the DAN-RX2 for press distributionPress recorders are often placed in different rooms away from the live event. The DAN-RX2 provides an easy way to send audio to these rooms to connect directly to a recorder or to feed a press box when necessary.Using the DAN-RX2 for personal monitoringThe dedicated headphone outputs on the DAN-RX2 allows it to be used as a personal monitoring system. The sound engineer can create a unique mix for musicians, producers or any other event staff that need to monitor a feed in any location on the network.

Two Channels of Analog Audio over DanteThe DAN-TX2 is a 2-Channel analog-to-digital converter that allows you to connect any line level source to a Dante or AES67-compliant network.Connect any line level source to a Dante networkXLR, 1/4″ TRS, and 3.5mm input jacks24bit/96kHz analog to digital conversionHandles signal levels up to +24dBuCompliant to AES67 specificationsSeamless network integrationThe DiNET DAN-TX2 makes it easy to transmit two channels of high quality analog audio over a Dante or AES67-compliant network. Multiple input options are provided, with Balanced XLR/TRS connectors for professional audio sources, and a 3.5mm aux input for connection to laptops, smartphones, and tablets. Trim controls and pad switches are included for each channel, with a link switch to simplify control for stereo sources. The RJ45 network connection is compatible with Neutrik etherCON connector carriers to prevent accidental disconnection and protect cable terminations, and redundant powering is available for critical applications by using the included external power supply and Power over Ethernet (PoE) simultaneously. The DAN-TX2 can be mounted in 19" equipment racks with the optional SA series rackmount adaptor kit.Using the DAN-TX2 with stereo sourcesConnect laptops or audio interfaces for easy integration with a Dante network. Engage the Link switch when using stereo sources to control both left and right inputs with the level control and pad on Channel 1.Using the DAN-TX2 with mobile devicesA 3.5mm stereo Aux input allows you to easily connects laptops, smartphones and tablets to a networked audio system without the need for special software or equipment.Using the DAN-TX2 for balanced professional audioThe balanced XLR/TRS inputs on the DAN-TX2 can handle signal levels up to +24dBu, allowing any balanced analog mixer, recorder or playback source to be quickly connected to a Dante network.

Keyboard Mixer, USB Interface and Performance PedalThe Key-Largo is a unique and powerful device that combines a multi-channel keyboard mixer with a USB audio interface, while providing the ability to control elements of the performance with footswitch control.Three stereo analog inputs for keyboardsDigital USB connection for laptop soft-synthsOn-board sustain and effects loop footswitchesSeparate balanced outputs for the PA and stage MonitorsA mixer for today's gigging keyboard playerDesigned for stage use, the Key-Largo allows you to connect up to three stereo keyboards, effects and volume pedals, and a laptop computer via USB, managing all these signals to send a balanced audio feed to a PA system for a seamless performance on stage. Three stereo analog inputs feature individual volume controls to balance levels, and each can be sent to a shared effects loop to add reverb or delay in an instant using a dedicated footswitch. A USB connection allows laptop computers to be integrated into the setup for control of soft-synths, and a built-in sustain footswitch and connections for a stereo volume pedal provide additional ways to control your performance.High headroom, low noiseA switch-mode power supply inside the Key-Largo elevates the rail voltage to 24 volts for extra headroom to handle the most dynamic digital keyboards and the hottest analog synths without fear of overload or distortion. This is paired with 24bit/192kHz digital audio converters for high quality audio over USB when playing soft-synths or pre-recorded tracks. To eliminate noise when connecting multiple devices on stage, the main outputs are transformer-isolated to eliminate hum and buzz from ground loops, and all outputs are equipped with ground lift switches to further reduce noise.Manage a multi-keyboard setup with easeThe Key-Largo effortlessly mixes multiple keyboard outputs down to a stereo feed for the PA system over XLRs. Add more excitement to the performance with a switchable effects loop and master volume pedal.Integrate a soft-synth on stageThe Key-Largo can take the MIDI output from a controller to play a soft-synth on your laptop. High quality digital-to-analog converters give you great sound quality on local monitors and at the PA system.Combine analog and digital on stageMix three keyboards together with the output of a laptop soft-synth, making the Key-Largo the center of your performance setup. Connect a ¼” cable to the footswitch input on your main keyboard to utilize the Key-Largo as a sustain pedal, fully implementing the many features of this powerful pedal.The Key-Largo as a recording interface24bit/192kHz converters provide more than just high quality playback on stage, the Key-Largo can also be used to record pristine tracks using your favorite audio program. This allows you to easily record studio-quality tracks while on the road, or to capture your live performance.

Studio Guitar Interface For JX-44The SGI-44™ is a line driver for guitars and basses that connects to the JX-44 to allow a remote pedalboard to be connected without signal loss or noise.Balanced line driver for JX-44 guitar & amp switcherSend signal over 100 meters (300ft) without loss100% discrete class-A circuit with Drag controlBidirectional send & receive effects routerConnect to your pedalboard remotelyThe SGI-44 can send guitar signals over long distances without signal loss or noise, with built-in send and receive functions for bidirectional signal routing. When used in conjunction with the JX-44 guitar and amp switcher, it allows you to keep your pedalboard at your feet on stage, while instrument switching and amp control is managed remotely by your stage tech. A pair of SGI-44s can also be used together to extend the effects loop of your amplifier to any point on stage, so you can keep your favorite pedals connected to the amp's effects loop no matter how far away your amp is located. The SGI-44 takes care of all the balancing, buffering, and impedance matching to ensure your signals are delivered without noise or distortion.Using the SGI 44 with the Radial JX44The Radial JX44 comes with a built-in SGI-44 to make distant effects routing easy. Simply connect the JX44 to the SGI-44 using a pair of XLR cables to route the signal from the wireless receiver bank out to the pedals and back. The SGI-44 lets you incorporate a pedalboard as if connected directly yet does so without noise or signal loss.Using the SGI-44 in the studioThe Radial SGI-44 lets you play guitar using your 100 watt amp in an isolation room while you listen to the performance in front of your studio monitors. Connect your guitar to the first SGI-44 and run an XLR cable to a second unit using the studio XLR tie lines. Connect to your amp at the other end. Adjust the Drag Control to correct the load and optimize the signal for the right feel and you are set to go!Using the SGI-44 on a concert stageRouting the guitar signal from the wireless system to the pedals and amps is usually problematic due to induced electromagnetic fields and noise caused by ground loops. The SGI-44 solves the problem with a 100% isolated signal path and easy connections. Set one SGI-44 near the wireless receiver and a second at the pedalboard. Connect using XLR cables and you are set to go!

The Reamp® Station combines two studio essentials in one chassis: an active DI box for pristine recordings of any instrument, and the JCR high-performance Reamper to feed those recordings to your guitar amps and pedals during mixdown.Record high-quality direct tracks using the active DIReamp® any recorded tracks through pedals and ampsConnect easily with XLR, 1/4″ TRS, and 3.5mm Reamp® inputsStreamline your studio recording and mixing workflowUnlock new creative possibilities for your mixesRecord with confidenceA great Reamping session starts with a clean, high-quality direct recording -which is why the DI you choose is so important. The active DI portion of the Reamp® Station is based off of Radial's world-class J48, tweaked slightly to provide maximum benefit for recording tracks that can be Reamped later on. Among these changes is a buffer switch, which engages a unity-gain Class-A buffer circuit on the Thru output, preventing any loading down of passive pickups when connected to an amplifier and preserving the natural tone of your instrument. The DI circuit is powered via 48V phantom from your interface or mixer, so there's no need for a separate power supply, and a front panel LED indicator for visual confirmation that power is being received.Reamp® without limitsThe Reamper side of the Reamp® Station will be familiar to many professional recording engineers and home enthusiasts alike. It takes the circuit from the Reamp® JCR, originally designed by acclaimed engineer John Cuniberti, and ports it into a multi-use studio tool. The JCR features a custom-wound 'Made in the USA' transformer to convert the line-level signals from an audio interface so they are optimized to feed guitar pedals and amplifiers, while also including a level control, 3-position filter, and a mute switch to protect your ears when adjusting mic placement on a live amp. In addition to the XLR and balanced 1/4" TRS inputs for the Reamper, a 3.5mm mini input is also included for easy connection to mobile devices such as smartphones and tablets to streamline playback and encourage additional creativity.The complete packageWith a world-class DI box and the JCR Reamper under the hood, the Reamp® Station is the latest must-have piece of gear for studio recording. With this powerful unit next to your amplifier, you can seamlessly switch from recording a performance to Reamping and exploring new creative sounds, while knowing that you'll achieve the highest audio quality during each step. It's also rack mountable using the optional SA Series rack adaptor, and Link In/Out connections are provided to daisy-chain multiple Reamp® Stations together for larger setups.

Bass Preamp & OverdriveThe Bassbone OD is a bass preamp that features two fully-equipped input channels, each with separate level and EQ controls and a shared overdrive.Toggle between any two basses with easeIndividual EQ controls for each inputHeadphone output for silent practicePZB booster and piezo input for upright bassBuilt-in Radial DI with balanced output for the PADual full-featured bass channelsThe Bassbone OD allows you to connect two bass guitars and sculpt the tone of each one individually, as each input has its own level and EQ controls. The EQ settings have been specifically tailored for use with basses, and include a high pass filter to roll off excessive low end, along with a selectable center frequency for the Mid EQ boost/cut. Input A features a PZB booster designed for use with upright basses that employ a piezo transducer, while Input B includes a Drag Control impedance correction circuit that adjusts the load presented to magnetic pickups for a more natural tone. Following the input and EQ section, the Bassbone OD allows both instruments to share your effects pedals with an EFX Loop, which then feeds a powerful on-board overdrive.Bassbone OD with two bassesToggle between your favorite vintage bass and your active 5 string using the middle footswitch and send the signal to your amp. Mute the signal using the right hand footswitch for quiet on-stage tuning using the tuner out.Bassbone OD with electric and uprightWhether you play jazz, pop or orchestral works, the Bassbone OD lets you switch between a passive bass with magnetic pickups to an upright with piezo while optimizing the tone for each. Add effects to the signal path using the built-in effects loop.Combine two pickups and mix togetherConnect the TRS (stereo out) from your dual-element bass to combine a magnetic pickup with a piezo using the blend switch. Set the levels and tone for each pickup to suit. The Bassbone OD acts like a mini 2 channel mixer!

Studio Microphone Selector and SwitcherThe Gold Digger™ is a 4-input, 1-output switcher that allows you to seamlessly audition multiple microphones through a single preamp, improving studio efficiency and workflow without altering the tone of each microphone or requiring down time to re-patch any cables.Audition different microphones with the press of a buttonFour selectable inputs with trim controlsStraight-wire distortion-free signal pathSaves time and improves workflow in the StudioChoose the right mic every timeThe Gold Digger allows you to record with confidence knowing that you've selected the right tool for the job each and every time you record. It provides the ability to instantly A/B between up to four microphones, without introducing any coloration, noise, or distortion. Individual set & forget trim controls let you adjust each mic level so that they produce the same relative output, and 48V phantom is available to power condenser microphones. The Gold Digger makes it easy to audition multiple options while maintaining studio efficiency and ensuring a smooth workflow. When paired with the Radial Cherry Picker™ you can choose between four microphones and four preamps in any combination, giving you the freedom to explore endless sonic possibilities.Comparing Four Studio Condenser MicsThe Gold Digger lets you quickly compare the sound of four microphones and send the signal to the same preamp. This assures an 'honest' comparison as all mic signals employ the same audio path. Separate 48V on-off switches let you activate phantom as needed.Comparing Various Direct BoxesComparing DI boxes can often lead to surprising results. Often, one will use an active DI like the J48 only to find that a passive one like the JDI could in some instances sound better. Plug in the four DIs just like you would a microphone and you are set to go.Selecting a wireless systemThe Gold Digger can also be used in live touring where you may want to direct as many as four different wireless systems to a single audio input channel in the PA system. This could be 4 mics in a house of worship, 4 wireless guitars, or maybe a couple of mics in a town-hall meeting.

Guitar Effects InterfaceThe EXTC Stereo allows you to connect guitar effects pedals to the inputs and outputs of pro audio equipment such as recording interfaces and mixing consoles, so you can incorporate stereo pedals into your recordings and explore new creative possibilities.Connect stereo guitar pedals to balanced recording gearFront panel 1/4″ inputs and outputs for pedalsSend & Receive controls to optimize gain stagingUtilize your pedal collection in new & unique waysA secret weapon for mixing engineersThe EXTC-Stereo gives you the ability to connect stereo effects pedals such as reverbs and delays to the line-level inputs and outputs of your console or recording interface. Use it to send drum overheads to a multi-tap delay, or breathe new life into a stale keyboard patch with a flanger or chorus pedal. Try it on vocals, strings, or any prerecorded track to add a new creative element to your mixes and revitalize your old pedal collection. Reamping through stereo effectsThe EXTC-Stereo acts as the bridge between your recording interface and your stereo guitar pedals, making it easy to use your favorite pedal effects on any prerecorded audio tracks. The EXTC-Stereo converts the dry audio signal from line-level to instrument level for processing through your pedals, and then brings it back up to line-level to record the results.Connecting mono guitar pedalsMono guitar pedals work equally well with the EXTC-Stereo, and you can connect two sets simultaneously to double your creativity. Connect one pedal chain to the left insert jacks on the EXTC-Stereo, and the other to the right.Reamping through one or two amplifiersThe EXTC-Stereo can also be used like other Reamp® boxes that feed your tracks through an amplifier. Connect the send jacks to the inputs of your amps and use a microphone to capture the results.Recording direct from a pedalboardWith the EXTC-Stereo you can connect your instrument and pedalboard to the line-level inputs on your recording device. Simply connect your pedalboard to the insert receive jacks and adjust the receive level control as needed.

Passive Line-Level SplitterThe Exo-Pod™ is a passive broadcast splitter than can take a balanced line output from a mixing console and distribute the signal to up to 14 recording devices. Multiple units can also be linked together to create a larger modular system that can accommodate hundreds of outputs at once.Passive splitter with 14 transformer-isolated outputsSet & forget trim control to adjust output levelsBalanced line-level XLR input can handle up to +24dBDaisy-chain multiple Exo-Pods for large EventsExpandable noise-free splittingThe Exo-Pod take a line-level XLR input and splits it cleanly to ten XLR outputs and four 3.5mm TRS jacks for connection to video cameras, hand-held recorders, tablets or other media systems. A variable input trim allows the broadcast technician to reduce the global output level locally for convenience, and all of the outputs are transformer isolated to eliminate hum and buzz that is often encountered due to ground loops. The XLR outputs are supplemented with individual ground lift switches to further abate noise, and an XLR thru connector allows multiple Exo-Pods to be linked together to provide an expandable solution to handle events of any size.Using the Exo-Pod as a Simple Broadcast SplitterThe passive Exo-Pod is easily integrated with any mixer using a +4dB line level feed. All Exo-Pod outputs are transformer isolated to eliminate hum and buzz.Use the Exo-Pod for your town hall meetingIn addition to feeding the press gallery, send the signal to the mic-level inputs on your PA speakers to fill up your meeting room or convention space.Combine multiple Exo-Pods for large eventsMultiple Exo-Pods can be linked together to create dozens of outputs for larger events. Use the thru-puts on the Ecxo-Pod to daisy chain the units to one another.

Bass Preamp & BoostThe Bassbone V2™ is a two channel bass preamp with a number of customizable features to suit any type of setup or playing style, while providing superb audio quality ideal for a live stage or studio recording.Two-channel bass preamp for 1 or 2 bassesShared effects loop with footswitchVariable clean boost circuit and EQ controlsPZB booster and piezo input for upright bassBuilt-in Radial DI with balanced output for the PAThe ultimate bass control centerThe Bassbone V2 combines high quality audio performance with the ability to take control of your tone and configure each feature to match your ideal setup. Seamlessly switch between upright and electric basses, while tailoring the signal from the upright with a three band EQ, high-pass filter, and a high impedance input for a more natural tone. You can engage your effects pedals with a single footswitch, and assign them to either input individually, or share them across both. A wet/dry control for the effects loop provides the ability to blend the original bass signal in with the output from the pedals, preserving the tone and clarity of your instrument. The Bassbone V2 also features a powerful clean boost that can be activated with a footswitch, or reconfigured as a mute switch for silent tuning on stage.Using the Bassbone V2 with two bassesThe Bassbone V2 is designed to let you switch between any two basses. Use channel-1 and your amp's EQ to set you primary tone. Use channel-2's ultra powerful EQ to compensate so that each instrument sounds its best.Switching between upright and electricThe Bassbone V2's high performance preamp is well suited for all instruments including upright bass. This lets you toggle between electric and acoustic and optimize the tone going to your stage amp and the PA system. Add effects pedals using the built-in effects loop.Using the Bassbone V2 with one bassThe Bassbone V2 is the ultimate front end for any bass. Channel-1 can be set flat or augmented with two modern presets. Channel-2's 3 band EQ is so powerful that it can turn your P-bass into a Rickenbacker!

Class-A Phase AdjusterThe Phazer™ is an analog phase alignment tool that lets you bring two sounds sources together so that the fundamentals play in sync.Phase-align two signals for exceptional clarity100% analog, Class-A audio circuitVariable phase shift for precise alignmentLow-pass filter lets you focus the effectAlign your tracks for improved soundThe Phazer is a unique tool that sums two line-level signals together using class-A analog circuitry, providing the ability to quickly and accurately phase-align any tracks for improved clarity and tone. Once in phase, the results are impressive: On electric guitar; you can combine the direct feed of an amp with a room mic to create fat rich tones. On a kick drum, combine the attack from a batter head mic with the body captured by the outer shell mic, or the top and bottom mic's on a snare drum. With acoustic instruments, combine a close 'spot' mic with a room mic to capture textures like never before.Using the Phazer on kick drum micsEngineers love to combine the attack of the batter head with the boom of a second mic. The Phazer elevates the effect by letting you combine the two in perfect sync. Simply insert the Phazer on the batter head channel, rotate the phase control and in seconds you are there.Using the Phazer with a guitar ampSometimes, getting a great guitar sound seems to take forever. This is due to irregularities such as stage resonance, room acoustics and a slight shift in mic position. Combine a Radial JDX direct box with the usual SM57 on the speaker. Phase adjust the JDX and in seconds, you will get huge guitar sounds.Using the Phazer to solve bass problemsIn smaller venues, the bass level coming off the stage can often compete with the PA system making it hard to mix. Combine the direct feed from the bass amp using a JDX direct box and phase align it to the PA using the Phazer. You will be amazed at how this simple process will clean up your mix.

The J48 stereo is a high performance 2-channel active direct box for live concert touring and professional recording studio applications, with the ability to handle extreme transients without distortion while delivering the natural sound of your instrument.Exceptional headroom & dynamic rangeRetains the natural sound of the instrumentUse with stereo sources or multiple instrumentsPowered by 48V phantom, no batteries requiredHigher voltage, higher headroomMost battery-powered instruments and stereo keyboards will produce as much as 7 Volts when played at maximum volume, which can easily overload typical active direct boxes that are only able to handle about 3 Volts. The J48 Stereo uses a unique switching power supply that raises the internal rail voltage so it can handle up to an incredible 9 Volts, resulting in improved signal handling and greater headroom. This additional headroom significantly reduces distortion of all types, allowing the natural tone and character of the instrument to shine through. The J48 maintains stereo separation between the left and right channels, allowing it to be used on two separate instruments or with stereo sources such as keyboards.Using the J48 Stereo with a keyboardThe J48's active circuit and amazing signal handling makes it a great choice for both digital and old school analog keyboards. A built-in pad reduces the sensitivity if needed.Using the J48 Stereo with two bassesThe compact design makes it easy to connect two guitars using one direct box. The great sounding active circuit sounds as good as other DIs costing five times as much!J48 Stereo with two different instrumentsUse the J48 Stereo with two completely different instruments. The low crosstalk makes it a great choice when doubling between bass, acoustic guitar, fiddle, or mandolin.