82 Produkte
82 Produkte
PALMER MS 02 - Mikrofon Splitter 2 Kanal
Palmer Mikrofonsplitter werden eingesetzt, wenn eine Signalquelle auf mehrere Eingänge aufgesplittet werden muss. Z.B. wenn das Mikrofonsignal gleichzeitig dem Saalmischpult der Hallenanlage, dem Monitormischpult auf der Bühne, und - da der Rundfunk die Veranstaltung überträgt - auch in den Ü-Wagen eingespeist werden muss. Hierfür benötigt man eine Mikrofonsplitbox "1 in 3". Durch die Verwendung großzügig dimensionierter Niederfrequenzübertrager bleibt der Klang unbeeinflusst erhalten, Erdschleifenbrummen wird aber sicher ausgeschlossen. Die PMS02 kann auch zur Wandlung von unsymmetrisch in symmetrisch und umgekehrt benutzt werden.
PALMER PAN 01 - DI-Box passiv Klinkeneingang mit parallelem Ausgang
Passive DI-Box. Klinkeneingang mit parallelem Ausgang zum Durchschleifen des Signals. Trafosymmetrischer XLR-Ausgang. Eingangsempfindlichkeit schaltbar. Es können Line- und Lautsprechersignalpegel verarbeitet werden.
PALMER PAN 04 - DI-Box 2 Kanal passiv
Direct-Injection2-kanaligPAD-Schalter(0dB/-30dB)Input Link als Klinke ausgeführtsymmetrischer XLR-OutputEingangsimpedanz: 68 kOhmAusgangsimpedanz 600 OhmÜbertragungsverhältnis des Symmetrietrafos: 10 : 1maximaler Ausgangspegel: +4 dBu5 Jahre Herstellergarantie
RADIAL 4-Play Multi-Output Active DI Box with Four Selectable Outputs
Active DI Box with Four Selectable OutputsThe 4-Play is a DI box specifically designed for multi-instrumentalists, providing the ability to quickly and silently change instruments on stage. With four balanced outputs, each instrument has its own channel in the PA and monitors.Quick changeovers for multi-instrumentalistsSwitch between four DI outputs using a single footswitchShared tuner output & mute footswitchGround lift switches to eliminate hum and buzzFour DI boxes in oneMany performing multi-instrumentalists will have each of their instruments feed a separate channel in the PA system, allowing for individual level, EQ, and effects settings. Typically this would require multiple DI boxes and instrument cables, creating a mess on stage that can be difficult to manage. With the 4-Play, you only need to connect one cable to the input of the pedal, and it provides you with four DI outputs to feed the PA system. Not only does this mean fewer cables on stage and less devices to keep track of, but it also eliminates the need to flag down the sound engineer when you need to switch instruments during a performance. The 4-Play puts you in control, while streamlining your setup on stage.Acoustic, fiddle, mandolin and banjoSwitch between instruments by simply muting, disconnecting the instrument, reconnecting and unmuting. The 4-Play lets you drive each instrument to its own channel in the PA. Connect using a simple guitar cable or use your wireless system!Using three different basses on stageNo amp, three basses – The 4-Play makes it easy! Connect the desired bass, use the selector switch to send the output to the desired channel in the PA system. This lets you optimize the signal without having to adjust the tone or level during each changeover.Using three channels with an acoustic guitarConnect your acoustic guitar using channel-1 for rhythm, channel-2 for finger picking and channel-3 for lead. This gives you the power of an electric guitar through the PA system.
RADIAL AC-Driver Compact Acoustic Preamp
Compact Acoustic PreampThe AC-Driver is an acoustic instrument preamp designed for use on stage, with helpful features to streamline your performance and ensure the best possible tone from your instrument.Studio quality preamp and class-A buffer circuitBalanced DI output to feed a PA or powered speakerMute footswitch for instrument changeoversNotch filter and phase switch to reduce FeedbackGreat tone can be simpleThe AC-Driver allows you to obtain great sounding results in a short amount of time, with powerful easy-to-use controls that allow you to set your levels and reduce on-stage feedback. An adjustable low cut filter removes excessive low frequencies, while a 180° phase switch helps correct feedback build-up from hot spots on stage. A variable notch filter targets and removes specific problem frequencies, and a mute footswitch provides a way to silently tune on stage or change instruments without any popping or noise in the PA.Feed a stage amp and FOH simultaneouslySend your acoustic signal to a stage amp and the PA simultaneously with a level control for both outputs. Remove excessive bass frequencies with the Low Cut filter control.Feed the PA directlySend a balanced signal directly to the PA or a powered speaker. Activate the mute switch for silent on-stage tuning or to change guitars without waiting for the FOH engineer to mute the channel.Reduce feedback on stageActivate the 180° phase switch to remove hot spots on stage that can cause feedback to occur. If feedback is spiking at certain frequencies, engage the notch filter and slowly adjust the variable notch frequency knob until you eliminate the feedback.
RADIAL Bassbone OD Bass Preamp & Overdrive
Bass Preamp & OverdriveThe Bassbone OD is a bass preamp that features two fully-equipped input channels, each with separate level and EQ controls and a shared overdrive.Toggle between any two basses with easeIndividual EQ controls for each inputHeadphone output for silent practicePZB booster and piezo input for upright bassBuilt-in Radial DI with balanced output for the PADual full-featured bass channelsThe Bassbone OD allows you to connect two bass guitars and sculpt the tone of each one individually, as each input has its own level and EQ controls. The EQ settings have been specifically tailored for use with basses, and include a high pass filter to roll off excessive low end, along with a selectable center frequency for the Mid EQ boost/cut. Input A features a PZB booster designed for use with upright basses that employ a piezo transducer, while Input B includes a Drag Control impedance correction circuit that adjusts the load presented to magnetic pickups for a more natural tone. Following the input and EQ section, the Bassbone OD allows both instruments to share your effects pedals with an EFX Loop, which then feeds a powerful on-board overdrive.Bassbone OD with two bassesToggle between your favorite vintage bass and your active 5 string using the middle footswitch and send the signal to your amp. Mute the signal using the right hand footswitch for quiet on-stage tuning using the tuner out.Bassbone OD with electric and uprightWhether you play jazz, pop or orchestral works, the Bassbone OD lets you switch between a passive bass with magnetic pickups to an upright with piezo while optimizing the tone for each. Add effects to the signal path using the built-in effects loop.Combine two pickups and mix togetherConnect the TRS (stereo out) from your dual-element bass to combine a magnetic pickup with a piezo using the blend switch. Set the levels and tone for each pickup to suit. The Bassbone OD acts like a mini 2 channel mixer!
RADIAL Bassbone V2 Bass Preamp & Boost
Bass Preamp & BoostThe Bassbone V2™ is a two channel bass preamp with a number of customizable features to suit any type of setup or playing style, while providing superb audio quality ideal for a live stage or studio recording.Two-channel bass preamp for 1 or 2 bassesShared effects loop with footswitchVariable clean boost circuit and EQ controlsPZB booster and piezo input for upright bassBuilt-in Radial DI with balanced output for the PAThe ultimate bass control centerThe Bassbone V2 combines high quality audio performance with the ability to take control of your tone and configure each feature to match your ideal setup. Seamlessly switch between upright and electric basses, while tailoring the signal from the upright with a three band EQ, high-pass filter, and a high impedance input for a more natural tone. You can engage your effects pedals with a single footswitch, and assign them to either input individually, or share them across both. A wet/dry control for the effects loop provides the ability to blend the original bass signal in with the output from the pedals, preserving the tone and clarity of your instrument. The Bassbone V2 also features a powerful clean boost that can be activated with a footswitch, or reconfigured as a mute switch for silent tuning on stage.Using the Bassbone V2 with two bassesThe Bassbone V2 is designed to let you switch between any two basses. Use channel-1 and your amp's EQ to set you primary tone. Use channel-2's ultra powerful EQ to compensate so that each instrument sounds its best.Switching between upright and electricThe Bassbone V2's high performance preamp is well suited for all instruments including upright bass. This lets you toggle between electric and acoustic and optimize the tone going to your stage amp and the PA system. Add effects pedals using the built-in effects loop.Using the Bassbone V2 with one bassThe Bassbone V2 is the ultimate front end for any bass. Channel-1 can be set flat or augmented with two modern presets. Channel-2's 3 band EQ is so powerful that it can turn your P-bass into a Rickenbacker!
RADIAL BT-Pro V2 Stereo Bluetooth Direct Box
Stereo Bluetooth Direct BoxThe BT-Pro V2 is a Bluetooth-enabled direct box that connects wirelessly to smartphones, tablets, and other mobile devices and provides a pair of balanced analog audio outputs to feed a PA system. Each BT-Pro V2 has a unique identifier, allowing multiple units to be used within the same building. The latest model of the BT-Pro can also be powered via 48V phantom from a mixing console.Wirelessly connect smartphones and tablets to a mixerBluetooth reception of up to 30 meters (100ft)Dual balanced XLR outputs feed the PA systemPowered via external supply or 48V phantom powerUnique device ID allows multiple BT-Pro’s in a single LocationWireless connection, professional audioThe BT-Pro V2 makes it easy to quickly connect to any smartphone, tablet, or mobile device for high quality audio playback through a sound system. It wirelessly pairs over Bluetooth, eliminating the need to search for adaptor cables and providing you with the freedom to move around while staying connected. Superior audio quality is provided using the Bluetooth 5.0 protocol, allowing the BT-Pro to be used for playback even in critical listening environments. While the BT-Pro V2 is designed to last with a 14 gauge steel outer shell and high durability connectors and controls, it also has an enhanced reception range thanks to the plastic injection-molded insert, which allows wireless signals to pass through unimpeded. Balanced XLR outputs are provided for connection to pro audio equipment, with a level control to allow for easy volume adjustments, a headphone output for testing purposes, and a mono switch to reduce channel requirements when needed.48V operation & unique device identifiersFor ease of use in live sound applications, the BT-Pro can be powered via 48V phantom from the PA console. This provides the ability to use the included external power supply as a redundant backup, or to eliminate it from the setup altogether. Under 48V phantom power, the BT-Pro provides mic-level signals at the XLR outputs, but when the external power supply is used it is capable of generating line-level signals that can be connected to the line inputs of a PA console and avoid using additional mic-level channels. Each individual BT-Pro V2 also has a unique Bluetooth identifier, allowing multiple units to be successfully used in close proximity to one another. This makes it easy for commercial multi-room facilities to employ a number of BT-Pro units without any confusion when trying to connect to a receiver in a specific part of the building.Using the BT-Pro V2 in a presentationStanding at a podium, you can easily transmit the audio from your laptop presentation to the BT-Pro to play background music, audio clips or to mate with video. Simply connect directly to the PA speakers for amazing audio!Using the BT-Pro V2 with tablet for performanceUse the BT-Pro V2 on stage to transmit performance or audio files from a laptop or tablet! Simply pair-up the BT-Pro V2 to your computer to freely move around the stage without wires.Wireless connection, professional audioThe BT-Pro V2 makes it easy to quickly connect your iPhone® to the PA without having to search through drawers looking for wires. The innovative antenna lets you sit the BT-Pro anywhere without interference.Connecting multiple BT-Pro in one locationEach BT-Pro V2 has a unique identifier that shows up as a six digit numerical code in the Available Bluetooth Devices list on your mobile device (ex. BT-Pro-100001). Simply mark down this number in the room where the BT-Pro is installed to ensure that every time someone tries to wirelessly connect they will select the appropriate receiver.
RADIAL DiNET DAN-RX2 2-Channel Dante Network Receiver
Dual Output Dante EndpointThe DAN-RX2 is a 2-channel 24bit/96kHz digital to analog endpoint that allows you to output audio from a Dante or AES67-compliant network for connection to professional audio systems.Stereo analog output device for Dante networksBalanced XLR outputs for connection at mic or line levelBuilt-in headphone amplifier for personal monitoring24bit/96kHz digital to analog conversionCompliant to AES67 specificationsRobust digital audio distributionThe DAN-RX2 is a road-worthy digital receiver capable of delivering two channels of analog audio to any location from a Dante or AES-67 compliant network. Balanced XLR outputs include a ground lift and a separate headphone amp with its own level control is included for local testing or personal monitoring. The RJ45 network connection is compatible with Neutrik etherCON connector carriers to prevent accidental disconnection and protect cable terminations. Redundant powering is available for critical applications by using the included external power supply and Power over Ethernet (PoE) simultaneously, and the DAN-RX2 can be mounted in 19" equipment racks with the optional SA series rackmount adaptor kit.Using the DAN-RX2 to connect a small PA systemQuickly route a stereo feed to small PA systems in overflow rooms or remote locations within the venue.Using the DAN-RX2 for press distributionPress recorders are often placed in different rooms away from the live event. The DAN-RX2 provides an easy way to send audio to these rooms to connect directly to a recorder or to feed a press box when necessary.Using the DAN-RX2 for personal monitoringThe dedicated headphone outputs on the DAN-RX2 allows it to be used as a personal monitoring system. The sound engineer can create a unique mix for musicians, producers or any other event staff that need to monitor a feed in any location on the network.
RADIAL DiNET DAN-TX2 Two Channels of Analog Audio over Dante
Two Channels of Analog Audio over DanteThe DAN-TX2 is a 2-Channel analog-to-digital converter that allows you to connect any line level source to a Dante or AES67-compliant network.Connect any line level source to a Dante networkXLR, 1/4″ TRS, and 3.5mm input jacks24bit/96kHz analog to digital conversionHandles signal levels up to +24dBuCompliant to AES67 specificationsSeamless network integrationThe DiNET DAN-TX2 makes it easy to transmit two channels of high quality analog audio over a Dante or AES67-compliant network. Multiple input options are provided, with Balanced XLR/TRS connectors for professional audio sources, and a 3.5mm aux input for connection to laptops, smartphones, and tablets. Trim controls and pad switches are included for each channel, with a link switch to simplify control for stereo sources. The RJ45 network connection is compatible with Neutrik etherCON connector carriers to prevent accidental disconnection and protect cable terminations, and redundant powering is available for critical applications by using the included external power supply and Power over Ethernet (PoE) simultaneously. The DAN-TX2 can be mounted in 19" equipment racks with the optional SA series rackmount adaptor kit.Using the DAN-TX2 with stereo sourcesConnect laptops or audio interfaces for easy integration with a Dante network. Engage the Link switch when using stereo sources to control both left and right inputs with the level control and pad on Channel 1.Using the DAN-TX2 with mobile devicesA 3.5mm stereo Aux input allows you to easily connects laptops, smartphones and tablets to a networked audio system without the need for special software or equipment.Using the DAN-TX2 for balanced professional audioThe balanced XLR/TRS inputs on the DAN-TX2 can handle signal levels up to +24dBu, allowing any balanced analog mixer, recorder or playback source to be quickly connected to a Dante network.
RADIAL Exo-Pod Passive Line-Level Broadcast Splitter
Passive Line-Level SplitterThe Exo-Pod™ is a passive broadcast splitter than can take a balanced line output from a mixing console and distribute the signal to up to 14 recording devices. Multiple units can also be linked together to create a larger modular system that can accommodate hundreds of outputs at once.Passive splitter with 14 transformer-isolated outputsSet & forget trim control to adjust output levelsBalanced line-level XLR input can handle up to +24dBDaisy-chain multiple Exo-Pods for large EventsExpandable noise-free splittingThe Exo-Pod take a line-level XLR input and splits it cleanly to ten XLR outputs and four 3.5mm TRS jacks for connection to video cameras, hand-held recorders, tablets or other media systems. A variable input trim allows the broadcast technician to reduce the global output level locally for convenience, and all of the outputs are transformer isolated to eliminate hum and buzz that is often encountered due to ground loops. The XLR outputs are supplemented with individual ground lift switches to further abate noise, and an XLR thru connector allows multiple Exo-Pods to be linked together to provide an expandable solution to handle events of any size.Using the Exo-Pod as a Simple Broadcast SplitterThe passive Exo-Pod is easily integrated with any mixer using a +4dB line level feed. All Exo-Pod outputs are transformer isolated to eliminate hum and buzz.Use the Exo-Pod for your town hall meetingIn addition to feeding the press gallery, send the signal to the mic-level inputs on your PA speakers to fill up your meeting room or convention space.Combine multiple Exo-Pods for large eventsMultiple Exo-Pods can be linked together to create dozens of outputs for larger events. Use the thru-puts on the Ecxo-Pod to daisy chain the units to one another.
RADIAL EXTC-SA Guitar Effects Interface & Reamp Box
Guitar Effects Interface & Reamp BoxThe EXTC-SA is a unique interface for connecting guitar pedals to the inputs and outputs of pro audio equipment such as recording interfaces or mixing consoles, allowing you to incorporate your pedals in new and creative ways.Balanced interface for guitar effects pedalsSeparate send & receive controls optimize signal pathTransformer isolation helps eliminate ground loopsCreative tool helps your mix stand out from the restReamp and mix through your guitar pedalsThe EXTC allows you to get creative with your effects pedals, using them in your mix on any recorded track. Add a touch of distortion or chorus to a lead vocal, flange on a violin, or fuzz on piano - the possibilities are endless. The EXTC takes the line level balanced output of your recording interface and converts it to an instrument level high-Z output optimized for guitar effects pedals, so you can Reamp any track through your pedalboard with ease. Once you've run the signal through your pedals, connect the output back into the EXTC and it will boost it up to a balanced line level so you can connect directly to the input of your recording interface. The EXTC features Radial's class-A buffer for the best audio quality and transformer isolation to eliminate any buzz or hum - so you can focus your attention on using your pedals in new and exciting applications.Reamping™ through PedalsTake a dry track, send it to the EXTC which in turn feeds your pedals. This is the perfect way to add some extra zest to a vocal track; an envelope follower to a kick; or some wah to that Hammond.
RADIAL EXTC-Stereo Stereo Guitar Effects Interface & Reamper
Guitar Effects InterfaceThe EXTC Stereo allows you to connect guitar effects pedals to the inputs and outputs of pro audio equipment such as recording interfaces and mixing consoles, so you can incorporate stereo pedals into your recordings and explore new creative possibilities.Connect stereo guitar pedals to balanced recording gearFront panel 1/4″ inputs and outputs for pedalsSend & Receive controls to optimize gain stagingUtilize your pedal collection in new & unique waysA secret weapon for mixing engineersThe EXTC-Stereo gives you the ability to connect stereo effects pedals such as reverbs and delays to the line-level inputs and outputs of your console or recording interface. Use it to send drum overheads to a multi-tap delay, or breathe new life into a stale keyboard patch with a flanger or chorus pedal. Try it on vocals, strings, or any prerecorded track to add a new creative element to your mixes and revitalize your old pedal collection. Reamping through stereo effectsThe EXTC-Stereo acts as the bridge between your recording interface and your stereo guitar pedals, making it easy to use your favorite pedal effects on any prerecorded audio tracks. The EXTC-Stereo converts the dry audio signal from line-level to instrument level for processing through your pedals, and then brings it back up to line-level to record the results.Connecting mono guitar pedalsMono guitar pedals work equally well with the EXTC-Stereo, and you can connect two sets simultaneously to double your creativity. Connect one pedal chain to the left insert jacks on the EXTC-Stereo, and the other to the right.Reamping through one or two amplifiersThe EXTC-Stereo can also be used like other Reamp® boxes that feed your tracks through an amplifier. Connect the send jacks to the inputs of your amps and use a microphone to capture the results.Recording direct from a pedalboardWith the EXTC-Stereo you can connect your instrument and pedalboard to the line-level inputs on your recording device. Simply connect your pedalboard to the insert receive jacks and adjust the receive level control as needed.
RADIAL Gold Digger Studio Microphone Selector and Switcher
Studio Microphone Selector and SwitcherThe Gold Digger™ is a 4-input, 1-output switcher that allows you to seamlessly audition multiple microphones through a single preamp, improving studio efficiency and workflow without altering the tone of each microphone or requiring down time to re-patch any cables.Audition different microphones with the press of a buttonFour selectable inputs with trim controlsStraight-wire distortion-free signal pathSaves time and improves workflow in the StudioChoose the right mic every timeThe Gold Digger allows you to record with confidence knowing that you've selected the right tool for the job each and every time you record. It provides the ability to instantly A/B between up to four microphones, without introducing any coloration, noise, or distortion. Individual set & forget trim controls let you adjust each mic level so that they produce the same relative output, and 48V phantom is available to power condenser microphones. The Gold Digger makes it easy to audition multiple options while maintaining studio efficiency and ensuring a smooth workflow. When paired with the Radial Cherry Picker™ you can choose between four microphones and four preamps in any combination, giving you the freedom to explore endless sonic possibilities.Comparing Four Studio Condenser MicsThe Gold Digger lets you quickly compare the sound of four microphones and send the signal to the same preamp. This assures an 'honest' comparison as all mic signals employ the same audio path. Separate 48V on-off switches let you activate phantom as needed.Comparing Various Direct BoxesComparing DI boxes can often lead to surprising results. Often, one will use an active DI like the J48 only to find that a passive one like the JDI could in some instances sound better. Plug in the four DIs just like you would a microphone and you are set to go.Selecting a wireless systemThe Gold Digger can also be used in live touring where you may want to direct as many as four different wireless systems to a single audio input channel in the PA system. This could be 4 mics in a house of worship, 4 wireless guitars, or maybe a couple of mics in a town-hall meeting.
RADIAL HDI High Definition Studio Preamp
High Definition Studio PreampThe HDI is a studio-quality preamp designed to create exceptional recordings with any instrument, utilizing premium Jensen transformers and a unique Color control that provides an entirely new yet familiar-sounding sonic palette to experiment with.Dial in an amazing tone within secondsBlend from ultra-clean to amp-like distortionSmooth Opto compressor for peak reductionMic and line-level outputsOversized custom-wound Jensen transformerInstant GratificationDespite the complex circuitry housed within the unit, the HDI has an elegant set of controls that allows the musician or engineer to dial up a record-ready sound with a minimal amount of tweaking required. The Level control drives the inputs of the HDI with instant visual feedback from the responsive front panel meter, while the Color knob provides seamless blending between an ultra-clean tone and amp-style distortion and saturation, so you can add just the right amount of character and grit to your instrument. A smooth Opto compressor can be engaged to control the peaks of the input signal, and a High-Pass Filter clears up any excessive low frequencies added by the Color control. Lastly, a Presence control accentuates the highs and high-mids, providing the ability to cut through the mix with results that are sure to impress.Looks and PersonalityWith its gunmetal anodized 1/4" thick milled front panel and distinctive styling reminiscent of classic outboard studio equipment, the HDI is sure to turn heads in any recording space. A custom output meter provides a level check at a glance, with oversized chrome knobs for precise adjustments and easy tweaking on-the-fly. The HDI is a stunning standalone unit, but it also comes complete with mounting hardware to install in standard 19" equipment racks. One or two HDI's can be installed side-by-side in a 2RU rack space, and like all Radial products, they are built with rugged components and designed to easily withstand the rigors of concert touring.Using the HDI alongside an amplifierRecord bass directly from the HDI while also feeding the unbuffered Thru output to a mic'd up amplifier to blend the two signals together. The HDI sounds so good on its own you just might mute the amp track altogether.Using the HDI on acoustic guitarThe HDI pairs well with any instrument - with acoustic guitar it can add additional body and character that other direct boxes may lack. Take the line-level XLR output directly to your recording interface to bypass the need for any additional gain stages in the signal path.Using the HDI Processed OutputThe HDI can feed processed signals to your amplifiers at the same time as you feed the inputs of a mixer or audio interface. This allows you to provide additional gain, saturation, and distortion to the inputs of a clean amp or an amp modeling system.Using the HDI with modular synthesizersA dedicated Synth Input has a lower sensitivity to accommodate the hot outputs of modular synths or even other studio outboard equipment, allowing you to use the HDI to process any instruments or tracks you can think of.
RADIAL Highline Passive Line Isolator
From Pedal to PerformanceThe Highline is a passive line isolator designed to connect guitar and amp modelers to a mixer for live touring and recording applications, featuring a premium Jensen transformer for exceptional audio performance.Compact & pedalboard friendly designNo loss of signal strength or tone when connecting to a mixerRadial’s renowned reliability & build qualityPrecision-wound Jensen TransformerAbility to sum stereo sources down to monoCompact & pedalboard friendly designNo loss of signal strength or tone when connecting to a mixerRadial’s renowned reliability & build qualityPrecision-wound Jensen TransformerAbility to sum stereo sources down to monoElevate your toneThe Highline is a line isolator that is specifically designed to address the needs of instrumentalists who use amp modelers, allowing them to seamlessly connect to a PA or a recording system while maintaining their full signal integrity with no added noise or distortion. The Highline features a premium Jensen 1:1 transformer, which retains the full volume level from the pedalboard to the PA, while also providing galvanic isolation that eliminates ground loop noise for a clean and noise-free signal. The balanced output of the Highline allows for long cable runs to the PA, and it also blocks phantom power so it never reaches the pedalboard. The Highline can also accept stereo inputs and sum them down to mono with the use of the Sum switch.Designed for amp modelersGuitarists and bassists who use utilize amp modelers on their pedalboard have a unique set of problems: While amp sims can produce line-level outputs, they often still use 1/4" unbalanced connectors that won't support long cable runs without degrading the tone of the instrument, and they are particularly susceptible to noise from ground loops when connected directly to the PA. The Highline addresses these issues by inserting a 1:1 transformer into the signal path, which provides isolation to reduce noise, protects against phantom power, and keeps the signal at line level for direct connection to the PA system.Connect your amp sim to the PAThe Highline allows you to send the signal from your guitar amp sim right to the PA while retaining the signal level and sound quality. The transformer inside provides isolation to reduce noise and protects your gear from accidental phantom power activation.Sum a stereo amp sim to monoThe Highline can also be configured to accept a stereo signal and sum both channels to the XLR output, so you don’t have to reconfigure any of your presets when channel space is limited at the PA. Just engage the sum switch and you can use the Thru jack as a second input.Use the Thru to monitor locallyWhen using a mono source device with the Highline, you can take the Thru output to a stage amplifier for local monitoring, while the XLR output feeds the PA system.
RADIAL Highline Stereo Passive Line Isolator
From Pedal to PerformanceThe Highline Stereo is a two channel passive line isolator designed to connect guitar and amp modelers to a mixer for live touring and recording applications, featuring premium Jensen transformers for exceptional audio performance.Two channel isolator with stereo Thru outputsNo loss of signal strength or tone when connecting to a mixerRadial’s renowned reliability & build qualityPrecision-wound Jensen TransformersXLR and Thru Sum options for added versatilityElevate your toneThe Highline Stereo is a full-featured line isolator that is specifically designed to address the needs of instrumentalists who use amp modelers, allowing them to seamlessly connect to a PA or a recording system while maintaining their full signal integrity with no added noise or distortion. The Highline features premium Jensen 1:1 transformers, which retain the full volume level from the pedalboard to the PA, while also providing galvanic isolation that eliminates ground loop noise for a clean and noise-free signal. The balanced outputs of the Highline Stereo allow for long cable runs to the PA, and the device also blocks phantom power so it never reaches the pedalboard. The Highline Stereo can be easily reconfigured for multiple setups with the use of two summing switches: these allow you to connect to the PA or your stage monitors in either stereo or mono.Designed for amp modelersGuitarists and bassists who use utilize amp modelers on their pedalboard have a unique set of problems: While amp sims can produce line-level outputs, they often still use 1/4" unbalanced connectors that won't support long cable runs without degrading the tone of the instrument, and they are particularly susceptible to noise from ground loops when connected directly to the PA. The Highline Stereo addresses these issues by inserting 1:1 Jensen transformers into the signal path, which provide isolation to reduce noise, protect against phantom power, and ensure that the audio signals remain at line level for direct connection to the PA system.Connect your amp sim to the PAThe Highline Stereo allows you to send the signal from your guitar amp sim right to the PA while retaining the signal level and sound quality. The Jensen transformers inside provide isolation to reduce noise while protecting your gear from accidental phantom power activation.Sum a stereo amp sim to monoThe Highline Stereo can also be configured to accept a stereo signal and sum both channels to the XLR output, so you don’t have to change any cabling on your pedalboard when channel space is limited at the PA. When the XLR outputs are summed together, the Thru outputs can still operate in stereo.Use the Thru to monitor locallyThe Thru outputs can be used to monitor your signal locally on one or two stage amplifiers. If using a single stage amp, press the Thru Sum switch to automatically feed both channels to the amp, while maintaining a stereo signal at the XLR outputs.
RADIAL IceCube Balanced XLR Line Isolator
Balanced XLR Line IsolatorThe IceCube™ is a balanced line-level isolator designed to quickly eliminate hum and buzz from an audio system by simply inserting it into the signal path.Eliminates hum & buzz caused by ground loopsExceptionally linear response from 20Hz to 18kHzCan handle pro output levels without distortionPlug & play easy to use with XLR input & OutputEliminate ground loops quicklyThe IceCube is an ideal problem solver for today's AV technicians and audio engineers, providing an easy way to insert an isolation transformer into the signal path to remove hum and buzz from ground loops, with a ground lift switch for additional noise reduction. Simply connect it between any two line-level devices, such as a mixer and a powered speaker, or a crossover and a power amp. The IceCube will eliminate ground loop noise without limiting the audio bandwidth or introducing phase shift, and it can handle hot signal levels without distortion.Isolating the DJ mixer from a consolePlug a couple of IceCubes in between the DJ mixer and the main PA to rid the system from hum or buzz caused by ground loops. Standard XLR connections make it easy.Isolating a crossover from a power ampEliminating noise problems can take hours of troubleshooting. The IceCube takes the hassle out of the equation with a plug and play solution that works every time.Isolating a console from a remote towerWhen distant power systems power equipment it often leads to noise, due to voltage fluctuations and ground contamination. The IceCube isolates the system to reduce noise.
RADIAL J-Clamp J-Class Flange Mount Adaptors
Most regular size J-Class enclosures such as the Radial JDI and J48 along with the smaller ProDI and SGI enclosures may be permanently affixed to a desk top, podium or inside a rack should the need arise using either the J-Clamp™ or Pro-Clamp™. Installation is easy, you merely remove the book-end outer shell and slide the inner frame into the Clamp and affix using the same hex screws. Handy flanges on each side are then used to bolt down the device for security.The J-Clamp is used to secure the JDI, J48, Twin-Iso and most other full-sized Radial products. You merely remove the four outer screws from the DI box, and slide the inner frame into the J-Clamp.
RADIAL J+4 Balanced -10dB to +4dB Stereo Signal Driver
Balanced -10dB to +4dB Signal DriverThe J+4™ is a stereo interface designed to accept unbalanced low output devices such as instruments, computers or mobile devices and boost their signal to a balanced +4dB level for connection to professional audio recording and playback equipment.Stereo preamp boost signals to +4dB balanced line levelIncreases gain for low output instruments & music playersTransformer isolated to eliminate noise caused by ground loopsMultiple input connector options to interface with any deviceBoost & balance any stereo signalThe J+4 allows you to boost nearly any stereo signal up to a +4dB balanced line level output, which can be sent over long distances without signal loss and connected directly to pro audio equipment such as mixers or recording interfaces. Multiple input connectors are available for integration with a variety of devices, including a stacked set of ¼" jacks for DJ mixers or keyboards, RCAs for CD players and a mini 3.5mm jack for smartphones and tablets. The J+4 delivers exceptional sonic performance, and is able to provide clean gain and eliminate noise by combining the advantages of active signal buffering with transformer isolation.Using the J+4 to boost a stereo signalIncreasing the output from a CD player to a +4dB balanced signal is easy. Just plug into the RCA inputs, adjust the volume level and the J+4 does all the work. Transformer isolation eliminates ground loops for quiet performance every time.Using the J+4 with your computerToday, computers and laptops are being used in all types of audio-visual systems. The J+4 makes it easy to interface with a built-in 3.5mm (1/8") TRS jack. Plug in and the J+4 will boost and balance the signal and deliver a professional line level signal.Using the J+4 with a keyboardMany keyboards and synthesizers do not have enough output to effectively drive the line level input on a mixer. This is particularly troublesome on older keyboards such as a Rhodes piano. The J+4 makes it easy with built-in ¼" inputs and balanced XLR outs.
RADIAL J33 Active Turntable Phono Preamp & DI Box
Active Turntable Preamp & DI BoxThe J33™ combines a high quality turntable (phono) preamp with a DI box, providing consumer line-level outputs in addition to balanced mic-level outputs that allow you to connect a record player to pro audio equipment such as mixing consoles and recording interfaces.Combination RIAA phono preamp and DI BoxStereo RCA and XLR outputsBuilt-in low frequency rumble filterChoice of 48V phantom power or DC power supplyA DI box for your turntablesThe J33 provides the ability to connect turntables to pro audio equipment such as a recording interfaces and mixers, allowing you to easily integrate your vinyl collection with studio gear for playback or recording. Balanced XLR mic-level outputs are available for connection to a mic preamplifier for archiving or sampling in the studio, and -10dB consumer line-level outputs are also provided to connect to home stereo equipment. The J33 can also be used in a live performance environment, offering an improved interface for DJs to connect to the PA system.Turntable to J33 to hifi systemMost new stereo systems are not equipped with a phono preamp input. The Radial J33 is a high performance phono preamp that delivers audiophile quality to your HiFi system by simply connecting the turntable to the RCA inputs and the receiver to the RCA outputs.Turntable to J33 to mixing console and PA systemDJs rejoice! You can now connect your turntable directly to a mixing console using the J33. Take the balanced lo-Z outputs form the J33 and connect just like a microphone… only stereo. The DI box output from the J33 is perfectly suited for all PA systems.Turntable to J33 to computerPlug your turntable into the J33 and then the outputs to an audio interface for digital recording. Add compression, gates and EQ to ‘remaster’ as needed.
RADIAL J48 Phantom Powered Active Direct Box
The J48 is a high performance active direct box for live concert touring and professional recording studio applications, with the ability to handle extreme transients without distortion while delivering the natural sound of your instrument.Exceptional headroom & dynamic rangeRetains the natural sound of the instrumentMerge switch sums stereo instruments to monoPowered by 48V phantom, no batteries requiredHigher Rail Voltage, Higher HeadroomMost battery-powered guitars and basses will produce as much as 7 Volts when played at maximum volume, which can easily overload typical active direct boxes that are only able to handle about 3 Volts. The J48 uses a unique switching power supply that raises the internal rail voltage so it can handle up to an incredible 9 Volts, resulting in improved signal handling and greater headroom. This additional headroom significantly reduces distortion of all types, allowing the natural tone and character of the instrument to shine through.J48 for Live TouringA direct box is primarily used to get an instrument signal from the stage to the mixing desk and PA system. The Radial J48 delivers the natural tone exceptionally long distances without adding distortion or coloring the sound in any way.J48 in the StudioWhen recording direct, the quality of the direct box interface assures the purest signal going to the track. The Radial J48 is particularly well suited for recording bass or capturing a direct track from a guitar.Reamping with the J48Reamping means sending a dry track from the recorder back out to pedals and amps. This tricks has been used for years by top professionals. The Radial J48 is ideally suited to capture the sound of the instrument for later Reamping.
RADIAL J48 Stereo Phantom Powered Stereo Active Direct Box
The J48 stereo is a high performance 2-channel active direct box for live concert touring and professional recording studio applications, with the ability to handle extreme transients without distortion while delivering the natural sound of your instrument.Exceptional headroom & dynamic rangeRetains the natural sound of the instrumentUse with stereo sources or multiple instrumentsPowered by 48V phantom, no batteries requiredHigher voltage, higher headroomMost battery-powered instruments and stereo keyboards will produce as much as 7 Volts when played at maximum volume, which can easily overload typical active direct boxes that are only able to handle about 3 Volts. The J48 Stereo uses a unique switching power supply that raises the internal rail voltage so it can handle up to an incredible 9 Volts, resulting in improved signal handling and greater headroom. This additional headroom significantly reduces distortion of all types, allowing the natural tone and character of the instrument to shine through. The J48 maintains stereo separation between the left and right channels, allowing it to be used on two separate instruments or with stereo sources such as keyboards.Using the J48 Stereo with a keyboardThe J48's active circuit and amazing signal handling makes it a great choice for both digital and old school analog keyboards. A built-in pad reduces the sensitivity if needed.Using the J48 Stereo with two bassesThe compact design makes it easy to connect two guitars using one direct box. The great sounding active circuit sounds as good as other DIs costing five times as much!J48 Stereo with two different instrumentsUse the J48 Stereo with two completely different instruments. The low crosstalk makes it a great choice when doubling between bass, acoustic guitar, fiddle, or mandolin.