Der DT168 bietet 16 Mikrofonvorverstärker und 8 Line-Ausgänge in einem praktischen Stagebox-Formfaktor. Dank seiner Gummipuffer und seines Griffs ist es ideal für tragbare Anwendungen geeignet und kann auf der Bühne eingesetzt oder als Drop-In-Expander in jedem SQ-, Avantis- oder dLive Dante-Netzwerk verwendet werden.DT168 bietet die renommierten Allen & Heath-Vorverstärker mit 96-kHz-Wandlern für erstklassige Klangqualität über Dante sowie primären und sekundären Ports für Verkettung oder Redundanz über sichere EtherCon-Anschlüsse.Mit einer SQ Dante- oder dLive 96-kHz-Dante-Karte können einem AHM-64-, SQ-, Avantis- oder dLive-System bis zu 16 Einheiten hinzugefügt werden.FeaturesDante Audio Expander, 96 kHz / 48 kHzTragbares Stagebox-Design16 Mikrofonvorverstärker auf XLR mit Phantomspeisungsstatus-LEDs8 XLR-Line-OutsPrimäre und sekundäre Dante-Ports mit sperrendem EtherConRedundanter oder geschalteter ModusDirekte Vorverstärkersteuerung von dLive, Avantis und SQOptionales 19-Zoll-Rack-Kit erhältlichGummipuffer und TragegriffAES67 kompatibelDante Domain Manager bereit

96kHz Stagebox für dLive, Avantis, SQ Systeme und für AHM Produkte.für dLive S/C und SQ-Serie16 Mic / Line EingängePhantom Power8 XLR Line AusgängeBis zu 6 DX168 Einheiten können zu einem dLive system für 96 inputs / 48 outputs hinzugefügt werdenPlug and PlayKompatibel mit CAT5e Kabel (oder höher) mit einer Länge von bis zu 100mGummifüße und TragegriffMaße (BxTxH): 412x182x189mmGewicht: 4,8 kg

48 XLR-Vorverstärker mit Phantomspeisungsstatus-LEDs16 XLR-Line-Outs96 kHzDX1-Anschluss - kompatibel mit einem einzelnen DX32 oder bis zu 2 DX168 / DX164-W-ErweiterungenDX2 / ME-Anschluss - kompatibel mit einem einzelnen DX32bis zu 2 DX168 / DX164-W-Erweiterungen oder einem persönlichen ME-Monitoring Systemkompatibel mit SQ- und dLive-Systemen (ab Firmware 1.9)mehrere GX4816 können einem System hinzugefügt werden: bis zu 2 GX4816-Einheiten können einem SQ-System hinzugefügt werdenbis zu 5 GX4816-Einheiten können einem dLive S Class-System hinzugefügt werdenbis zu 3 GX4816-Einheiten können einem dLive C Class-System hinzugefügt werdenRackmontage (5HE)Plug and Play - keine IP-Adressierung erforderlichKompatibel mit CAT5e-Kabeln (oder höher) mit einer Länge von bis zu 100 mEtherCon-Ports

mit 16 Ein- und 8 AusgängenAES50 Netzwerk (Klark Teknik)bis zu 100 m CAT-5e Kabel möglich7 Segment LED Signal Anzeigedirekter P-16 Monitor Anschlussdoppelter ADAT AusgangMidi Ein- und AusgangUSB Anschluss für Firmware UpdatesFormat: 19" / 2 HEEinbautiefe: 21 cmTiefe der Metallbügel an der Vorderseite: 2,2 cm

mit 32 Ein- und 16 AusgängenAES50 Netzwerk (Klark Teknik)bis zu 100 m CAT-5e Kabel möglichdirekter P-16 Monitor Anschlussdoppelter ADAT AusgangMidi-Ein- und -AusgangUSB Anschluss für Firmware UpdatesBauform: 19" / 3 HEEinbautiefe: 21 cmTiefe der Metallbügel an der Vorderseite: 2,2 cm

mit 16 Ein- und 8 AusgängenAES50 Netzwerk (Klark Teknik)bis zu 100 m CAT-5e Kabel möglich4-Port Anschluss für P-16 Monitor AnschlussUSB Anschluss für Systemupdates per PCBauhöhe: 3 HE

mit 8 Ein- und 8 AusgängenAES50 Netzwerk (Klark Teknik)bis zu 100 m CAT-5e Kabel möglich2-Port Anschluss für P-16 Monitor AnschlussUSB Anschluss für Systemupdates per PCBauhöhe: 2 HEAbmessungen (LxBxH): 333 x 149 x 95 mm

HyperMac to USB3 Converter with up to 192 Bidirectional Channels and Sample Rate ConversionHigh channel count recording/playback interface utilising USB3 and HMAC protocolSwitchable 96/48 Khz sample rate of USB audio stream for flexibility of recording formatSelectable channel count of USB audio stream for compatibility with lower specification computer systemsDual redundant HyperMac connection for automatic audio backupHyperMac status indication LEDs for easy audio synchronisation diagnosticsLocking USB-C for a secure connection in touring environmentCompact design for portabilityBlue brushed aluminium chassis for elegant and stylish lookCarry case included for protection during travel

24 Input Stage Box with 24 Midas Microphone Preamplifiers24 award-winning Midas microphone preamplifiers with switchable +48 V phantom powerRemote operation up to 100 m via CAT5/5e cableSelectable 96 kHz or 48 kHz sample rate operationAll settings programmable from front panel controls or consolePSU status indicator LEDs and configuration LCD display on front panelSupports dual redundant AES50 networksFeatures industry standard RJ-45 AES50 network portsRugged 2U rackmount chassis for durability in portable applicationsAuto-ranging universal switch-mode power supplyDL151 is a 2U 19" fixed-configuration rack I/O unit with 24 mic/line level inputs and delivers legendary Midas sound quality utilising our timetested and road-proven technologies. Featuring award-winning Midas microphone preamplifiers with 2.5 dB analogue gain steps and two AES50 network ports providing dual redundancy, the DL151 is the ideal partner to all Midas PRO and M32 Series and Heritage  digital consoles, enabling a digital snake connection from Front of House to stage.Award-Winning MIDAS Microphone PreamplifierThe Midas microphone preamplifier is considered by leading live sound and recording engineers to be the very essence of the famous Midas sound. More than 40 years of design experience paired with the finest choice of premium-grade components lead to the acclaimed warmth and depth - bringing out subtle ambience, maintaining spatial positioning and more effectively capturing a precise sound image. The acclaimed sound of the award-winning Midas microphone preamplifier has inspired generations of live sound engineers to their best work, creating sonic panoramas that have captivated audiences worldwide. Since pristine sound always begins with the microphone preamplifier, the first point where the signal enters the console, DL151 features the latest generation of Midas microphone preamplifiers, which faithfully reproduce every sonic detail so no part of a performance will ever be missed. Transparent and pristine sound, low noise and high common-mode rejection are all hallmarks of this classic design. Over the years many mix engineers have found this robust and overload-tolerant design takes on a whole new dimension of sound when driven hard, the crystal-clear audiophile reproduction giving way to just the right combination of harmonics, a warm and organic sound heard by millions of concert goers and recorded for posterity on countless live albums over the years.Digital Audio NetworkingSuperMAC (AES50-Compliant) digital audio networking technology from Klark Teknik simultaneously provides high channel counts, ultra low and deterministic latencies, sample-synchronous and phase-aligned networked clock distribution, error detection and correction, network redundancy, and ease of deployment and use – to meet the demanding requirements of live concert touring DL151 is compatible with all Midas digital consoles and audio system engines, as well as with any other AES50-equipped devices.96 kHz or 48 kHz OperationDL151 supports multiple sample rates for the AES50 connections - 96 kHz for use with Midas PRO Series, and 48 kHz for use with Midas M32 Series.Remote Console or Front Panel ControlAll configuration settings for DL151 can be set either remotely from the mixing console, or directly via the intuitive and easy to understand front panel. DL151 features a front panel LCD display with intuitive menu navigation for all configuration options with LED status indicators, which provide clear feedback of operational status over wide viewing angles and distances. Clear indication is provided showing power supply output rail condition and AES50 and Ethernet network connection status and activity.Built for the RoadFeaturing a rugged steel 2U rackmount enclosure, the DL151 is designed for the rigours of live concert touring. Premium industry-standard connectors are used for reliable audio and network connections, night after night.Auto-Ranging Universal Switch-Mode Power SupplyDL151 features a universal power supply, which is auto-voltage sensing for use on a worldwide basis.Architecture & Engineering SpecificationsThe interface unit shall be designed for digital audio mixing applications and be optimised for use in live performance. It shall feature 24 integrated microphone preamplifier inputs with 2.5 dB analogue gain steps on industry-standard XLR connectors and shall be capable of operating at 48 kHz and 96 kHz sampling rates. The interface unit shall have LED indication for +48V phantom power for each input channel connector. The interface unit shall support a 100 Megabit Ethernet frame-based digital audio network that shall offer dual cable redundancy and be compliant with the Audio Engineering Society AES50-2011 standard. Two digital audio network ports and one Ethernet control port shall be provided. The interface unit shall provide both front panel and remote network configuration of operational settings and provide an alphanumeric LCD display with associated menu navigation buttons, and LED status indication of power supply output rail condition and digital audio and control network connection status and activity. The interface unit shall include an auto-ranging universal switch-mode power supply for use on a worldwide basis. The interface unit shall be housed in a standard 2U 19" rackmount chassis, and shall be 483 mm wide x 416 mm deep x 88 mm high (19.0" x 16.4" x 3.5"), with nominal weight 6.9 kg (15.2 lbs). The interface unit shall be installed in a rack frame or road case capable of safely supporting its weight. Input, output, and power connections shall be made at the rear panel of the interface unit. Installers shall allow adequate space at the rear for connection and disconnection of input, output, and power connections. The power requirements shall be 100 to 240 VAC, 50 to 60 Hz. The interface unit shall be the Midas DL151 and no other alternative shall be acceptable.

24 Output Stage Box24 electronically balanced low impedance line level outputsRemote operation up to 100 m via CAT5/5e cableSelectable 96 kHz or 48 kHz sample rate operationAll settings programmable from front panel controls or consolePSU status indicator LEDs and configuration LCD display on front panelSupports dual redundant AES50 networksFeatures industry standard RJ-45 AES50 network portsRugged 2U rackmount chassis for durability in portable applicationsAuto-ranging universal switch-mode power supplyPRO SERIES DL152DL152 is a 2U 19" fixed-configuration rack I/O unit with 24 line level outputs and delivers legendary Midas sound quality utilising our time-tested and road-proven technologies. Featuring two AES50 network ports providing dual redundancy, the DL152 is the ideal partner to all Midas PRO and M32 an Heritage Series digital consoles, enabling a digital snake connection from Front of House to stage.Digital Audio NetworkingSuperMAC (AES50-Compliant) digital audio networking technology from Klark Teknik simultaneously provides high channel counts, ultra low and deterministic latencies, sample-synchronous and phase-aligned networked clock distribution, error detection and correction, network redundancy, and ease of deployment and use – to meet the demanding requirements of live concert touring.DL152 is compatible with all Midas digital consoles and audio system engines, as well as with any other AES50-equipped devices.High Output Drive Line Outputs with MuteDL152 features 24 active servo-balanced low impedance line level outputs with high output current capability for driving long cable runs.The outputs feature an automatic mute facility if the audio signal path is muted by the mixing console operator, and individual LED indicators are provided for each output connector.96 kHz or 48 kHz OperationDL152 supports multiple sample rates for the AES50 connections - 96 kHz for use with Midas PRO Series, and 48 kHz for use with Midas M32 Series.Remote Console or Front Panel ControlAll configuration settings for DL152 can be set either remotely from the mixing console, or directly via the intuitive and easy to understand front panel. DL152 features a front panel LCD display with intuitive menu navigation for all configuration options with LED status indicators, which provide clear feedback of operational status over wide viewing angles and distances. Clear indication is provided showing power supply output rail condition and AES50 and Ethernet network connection status and activity.Built for the RoadFeaturing a rugged steel 2U rackmount enclosure, the DL152 is designed for the rigours of live concert touring. Premium industry-standard connectors are used for reliable audio and network connections, night after night.Auto-Ranging Universal Switch-Mode Power SupplyDL152 features a universal power supply, which is auto-voltage sensing for use on a worldwide basis.Dual Redundant Universal Switch-Mode Power SuppliesDL252 features dual-redundant power supplies, which are auto-voltage sensing for use on a worldwide basis and provide seamless switchover in the unlikely event of a loss of one power supply.Architecture & Engineering SpecificationsThe interface unit shall be designed for digital audio mixing applications and be optimised for use in live performance. It shall feature 16 integrated microphone preamplifier inputs with 2.5 dB analogue gain steps and 48 servo-balanced electronic outputs on industry-standard XLR connectors and shall be capable of operating at 48 kHz and 96 kHz sampling rates.The interface unit shall include a recessed switch on the rear panel to mute all outputs.The interface unit shall support a 100 Megabit Ethernet frame-based digital audio network that shall offer N+1 cable redundancy and be compliant with the Audio Engineering Society AES50-2011 standard. Three digital audio network ports and one Ethernet control port shall be provided. An industry-standard MIDI Interface (In, Out, Thru) shall also be provided.The interface unit shall provide both front panel and remote network configuration of operational settings and provide LED status of power supply output rail condition, digital audio and control network connection status and activity, clock synchronisation source, unit identification and communication mode setting.The interface unit shall include two auto-ranging universal switch-mode power supplies with dual redundancy for use on a worldwide basis.The interface unit shall be housed in a standard 5U 19" rackmount chassis, and shall be 483 mm wide x 413 mm deep x 222 mm high (19.0" x 16.3" x 8.7"), with nominal weight 14.3 kg (31.5 lbs). The interface unit shall be installed in a rack frame or road case capable of safely supporting its weight. Input, output, and power connections shall be made at the rear panel of the interface unit. Installers shall allow adequate space at the rear for connection and disconnection of input, output, and power connections. The power requirements shall be 100 to 240 VAC, 50 to 60 Hz.The interface unit shall be the MIDAS DL252 and no other alternative shall be acceptable.Sample Rate  48 kHz, 96 kHzDynamic Range  >107 dB unweighted (20 Hz - 20 kHz)Maximum Output Level  +21 dBu into 600 OOutput Noise (Unity Gain)  -86 dBuFrequency Response ±0.5 dB (20 Hz - 20 kHz, relative to 1 kHz)THD+N (Unity Gain)  <0.01%Crosstalk @ 1 kHz <-90 dBAnalogue Outputs  24Type Line LevelConnector 3-pin XLR BalancedOutput Impedance 50 OhmD/A Conversion 24 bit, 96 kHz with 128 times oversamplingNetwork Connections 2Connector Industry-standard RJ45 with status LEDsRedundancy Dual cable redundancyNetwork Interface Conforms to AES50-2011Ethernet Control Port 1Connector Industry-standard RJ45 with status LEDsConnector IEC mains inletMains Input Voltage 100 to 240 VAC, 50-60 HzPower Consumption <150 WDimensions 483 x 416 x 88 mm (19.0 x 16.4 x 3.5")Net Weight  6.9 kg (15.2 lbs)Operating Temperature Range +5°C to +45°CStorage Temperature Range -20°C to +60°C

16 Input, 8 Output Stage Box with 16 Midas Microphone Preamplifiers16 award-winning Midas microphone preamplifiers with switchable +48 V phantom power8 electronically balanced low impedance line level outputsRemote operation up to 100 m via CAT5/5e cableSelectable 96 kHz or 48 kHz sample rate operationAll settings programmable from front panel controls or consolePSU status indicator LEDs and configuration LCD display on front panelSupports dual redundant AES50 networksFeatures industry standard RJ-45 AES50 network portsRugged 2U rackmount chassis for durability in portable applicationsAuto-ranging universal switch-mode power supplyPRO SERIES DL153DL153 is a 2U 19" fixed-configuration rack I/O unit with 16 mic/line level inputs and 8 line level outputs and delivers legendary Midas sound quality utilising our time-tested and road-proven technologies. Featuring award-winning Midas microphone preamplifiers with 2.5 dB analogue gain steps and two AES50 network ports providing dual redundancy, the DL153 is the ideal partner to all Midas PRO and M32 Series digital consoles, enabling a digital snake connection from Front of House to stage.Award-Winning MIDAS Microphone PreamplifierThe Midas microphone preamplifier is considered by leading live sound and recording engineers to be the very essence of the famous Midas sound. More than 40 years of design experience paired with the fi nest choice of premium-grade components lead to the acclaimed warmth and depth - bringing out subtle ambience, maintaining spatial positioning and more effectively capturing a precise sound image. The acclaimed sound of the award-winning Midas microphone preamplifier has inspired generations of live sound engineers to their best work, creating sonic panoramas that have captivated audiences worldwide.Since pristine sound always begins with the microphone preamplifier, the first point where the signal enters the console, DL153 features the latest generation of Midas microphone preamplifiers, which faithfully reproduce every sonic detail so no part of a performance will ever be missed. Transparent and pristine sound, low noise and high common-mode rejection are all hallmarks of this classic design.Over the years many mix engineers have found this robust and overload-tolerant design takes on a whole new dimension of sound when driven hard, the crystal-clear audiophile reproduction giving way to just the right combination of harmonics, a warm and organic sound heard by millions of concert goers and recorded for posterity on countless live albums over the years.Digital Audio NetworkingSuperMAC (AES50-Compliant) digital audio networking technology from Klark Teknik simultaneously provides high channel counts, ultra low and deterministic latencies, sample-synchronous and phase-aligned networked clock distribution, error detection and correction, network redundancy, and ease of deployment and use – to meet the demanding requirements of live concert touring.DL153 is compatible with all Midas digital consoles and audio system engines, as well as with any other AES50-equipped devices.High Output Drive Line Outputs with MuteDL153 features 8 active servo-balanced low impedance line level outputs with high output current capability for driving long cable runs.The outputs feature an automatic mute facility if the audio signal path is muted by the mixing console operator, and individual LED indicators are provided for each output connector.96 kHz or 48 kHz OperationDL153 supports multiple sample rates for the AES50 connections - 96 kHz for use with Midas PRO Series, and 48 kHz for use with Midas M32 Series.Remote Console or Front Panel ControlAll configuration settings for DL153 can be set either remotely from the mixing console, or directly via the intuitive and easy to understand front panel. DL153 features a front panel LCD display with intuitive menu navigation for all configuration options with LED status indicators, which provide clear feedback of operational status over wide viewing angles and distances. Clear indication is provided showing power supply output rail condition and AES50 and Ethernet network connection status and activity.Built for the RoadFeaturing a rugged steel 2U rackmount enclosure, the DL153 is designed for the rigours of live concert touring. Premium industry-standard connectors are used for reliable audio and network connections, night after night.Auto-Ranging Universal Switch-Mode Power SupplyDL153 features a universal power supply, which is auto-voltage sensing for use on a worldwide basis.Sample rate 48 kHz, 96 kHzDynamic range >107 dB unweighted (20 Hz - 20 kHz)Maximum input level CMRR @ 1 kHz Mic EIN (40 dB Gain) -126 dBuMaximum Output Level +21 dBu into 600 OOutput Noise (Unity Gain) -86 dBuFrequency Response ±0.5 dB (20 Hz - 20 kHz, relative to 1 kHz)THD+N (Unity Gain) <0.01%Crosstalk @ 1 kHz <-90 dBAnalogue Inputs 16Type Mic/Line LevelConnector 3-pin XLR BalancedInput Impedance 10k OA/D Conversion 24 bit, 96 kHz with 128 times oversamplingPhantom Power +48V, individually switchable per channelAnalogue Outputs 8 Line LevelConnector 3-pin XLR BalancedOutput Impedance 50 OD/A Conversion 24 bit, 96 kHz with 128 times oversamplingNetwork Connections 2Connector Industry-standard RJ45 with status LEDsRedundancy Dual cable redundancyNetwork Interface Conforms to AES50-2011Ethernet Control Port 1Connector Industry-standard RJ45 with status LEDsPower 1 Connector IEC mains inletMains Input Voltage 100 to 240 VAC, 50-60 HzPower Consumption <150 WDimensions 483 x 416 x 88 mm (19.0 x 16.4 x 3.5")Net Weight 6.7 kg (14.7 lbs)Operating Temperature Range +5°C to +45°CStorage Temperature Range -20°C to +60°C

8 Input, 16 Output Stage Box with 8 Midas Microphone Preamplifiers8 award-winning Midas microphone preamplifiers with switchable +48 V phantom power16 electronically balanced low impedance line level outputsRemote operation up to 100 m via CAT5/5e cableSelectable 96 kHz or 48 kHz sample rate operationAll settings programmable from front panel controls or consolePSU status indicator LEDs and configuration LCD display on front panelSupports dual redundant AES50 networksFeatures industry standard RJ-45 AES50 network portsRugged 2U rackmount chassis for durability in portable applicationsAuto-ranging universal switch-mode power supplyPRO SERIES DL154DL154 is a 2U 19" fixed-configuration rack I/O unit with 8 mic/line level inputs and 16 line level outputs and delivers legendary Midas sound quality utilising our time-tested and road-proven technologies. Featuring award-winning Midas microphone preamplifiers with 2.5 dB analogue gain steps and two AES50 network ports providing dual redundancy, the DL154 is the ideal partner to all Midas PRO and M32 and Heritage Series digital consoles, enabling a digital snake connection from Front of House to stage.Award-Winning MIDAS Microphone PreamplifierThe Midas microphone preamplifier is considered by leading live sound and recording engineers to be the very essence of the famous Midas sound. More than 40 years of design experience paired with the finest choice of premium-grade components lead to the acclaimed warmth and depth - bringing out subtle ambience, maintaining spatial positioning and more effectively capturing a precise sound image. The acclaimed sound of the award-winning Midas microphone preamplifier has inspired generations of live sound engineers to their best work, creating sonic panoramas that have captivated audiences worldwide. Since pristine sound always begins with the microphone preamplifier, the first point where the signal enters the console, DL154 features the latest generation of Midas microphone preamplifiers, which faithfully reproduce every sonic detail so no part of a performance will ever be missed. Transparent and pristine sound, low noise and high common-mode rejection are all hallmarks of this classic design. Over the years many mix engineers have found this robust and overload-tolerant design takes on a whole new dimension of sound when driven hard, the crystal-clear audiophile reproduction giving way to just the right combination of harmonics, a warm and organic sound heard by millions of concert goers and recorded for posterity on countless live albums over the years.Digital Audio NetworkingSuperMAC (AES50-Compliant) digital audio networking technology from Klark Teknik simultaneously provides high channel counts, ultra low and deterministic latencies, sample-synchronous and phase-aligned networked clock distribution, error detection and correction, network redundancy, and ease of deployment and use – to meet the demanding requirements of live concert touring. DL154 is compatible with all Midas digital consoles and audio system engines, as well as with any other AES50-equipped devices.High Output Drive Line Outputs with MuteDL154 features 16 active servo-balanced low impedance line level outputs with high output current capability for driving long cable runs. The outputs feature an automatic mute facility if the audio signal path is muted by the mixing console operator, and individual LED indicators are provided for each output connector.96 kHz or 48 kHz OperationDL154 supports multiple sample rates for the AES50 connections - 96 kHz for use with Midas PRO Series, and 48 kHz for use with Midas M32 Series.Remote Console or Front Panel ControlAll configuration settings for DL154 can be set either remotely from the mixing console, or directly via the intuitive and easy to understand front panel. DL154 features a front panel LCD display with intuitive menu navigation for all configuration options with LED status indicators, which provide clear feedback of operational status over wide viewing angles and distances. Clear indication is provided showing power supply output rail condition and AES50 and Ethernet network connection status and activity.Built for the RoadFeaturing a rugged steel 2U rackmount enclosure, the DL154 is designed for the rigours of live concert touring. Premium industry-standard connectors are used for reliable audio and network connections, night after night.Auto-Ranging Universal Switch-Mode Power SupplyDL154 features a universal power supply, which is auto-voltage sensing for use on a worldwide basis.Architecture & Engineering SpecificationsThe interface unit shall be designed for digital audio mixing applications and be optimised for use in live performance. It shall feature 8 integrated microphone preamplifier inputs with 2.5 dB analogue gain steps and 16 servo-balanced electronic outputs on industry-standard XLR connectors and shall be capable of operating at 48 kHz and 96 kHz sampling rates. The interface unit shall have LED indication for +48V phantom power for each input channel connector The interface unit shall include an automatic output mute function if the audio signal path is muted via the control centre and shall have LED indication for output mute for each output channel connector. The interface unit shall support a 100 Megabit Ethernet frame-based digital audio network that shall off er dual cable redundancy and be compliant with the Audio Engineering Society AES50-2011 standard. Two digital audio network ports and one Ethernet control port shall be provided. The interface unit shall provide both front panel and remote network configuration of operational settings and provide an alphanumeric LCD display with associated menu navigation buttons, and LED status indication of power supply output rail condition and digital audio and control network connection status and activity. The interface unit shall include an auto-ranging universal switch-mode power supply for use on a worldwide basis. The interface unit shall be housed in a standard 2U 19" rackmount chassis, and shall be 483 mm wide x 376 mm deep x 88 mm high (19.0" x 14.8" x 3.5"), with nominal weight 6.9 kg (15.2 lbs). The interface unit shall be installed in a rack frame or road case capable of safely supporting its weight. Input, output, and power connections shall be made at the rear panel of the interface unit. Installers shall allow adequate space at the rear for connection and disconnection of input, output, and power connections. The power requirements shall be 100 to 240 VAC, 50 to 60 Hz. The interface unit shall be the Midas DL154 and no other alternative shall be acceptable.Sample Rate 48 kHz, 96 kHzDynamic Range >107 dB unweighted (20 Hz - 20 kHz)Maximum Input Level CMRR @ 1 kHz Mic EIN (40 dB Gain) -126 dBuMaximum Output Level +21 dBu into 600 OOutput Noise (Unity Gain) -86 dBuFrequency Response ±0.5 dB (20 Hz - 20 kHz, relative to 1 kHz)THD+N (Unity Gain) <0.01%Crosstalk @ 1 kHz <-90 dBAnalogue Inputs 8 Mic/Line LevelConnector 3-pin XLR BalancedInput Impedance 10k OA/D Conversion 24 bit, 96 kHz with 128 times oversamplingPhantom Power +48V, individually switchable per channelAnalogue Outputs 16 Line LevelConnector 3-pin XLR BalancedOutput Impedance 50 OD/A Conversion 24 bit, 96 kHz with 128 times oversamplingNetwork Connections 2Connector Industry-standard RJ45 with status LEDsRedundancy Dual cable redundancyNetwork Interface Conforms to AES50-2011Ethernet Control Port 1Connector Industry-standard RJ45 with status LEDsConnector IEC mains inletMains Input Voltage 100 to 240 VAC, 50-60 HzPower Consumption <150 WDimensions 483 x 416 x 88 mm (19.0 x 16.4 x 3.5")Net Weight 6.7 kg (14.7 lbs)Operating Temperature Range +5°C to +45°CStorage Temperature Range -20°C to +60°C

16 Input, 16 Output Stage Box with 8 Midas Microphone Preamplifiers and AES3 Digital Interface8 award-winning Midas microphone preamplifiers with switchable +48 V phantom power8 AES3 (AES/EBU) digital inputs and outputs8 electronically balanced low impedance line level outputsRemote operation up to 100 m via CAT5/5e cable24 bit audio operation with96 kHz sample rateOpen architecture allows for future 48 kHz operationAll settings programmable from front panel controls or consolePSU status indicator LEDs and configuration LCD display on front panelSupports dual redundant AES50 networksFeatures industry standard RJ-45 AES50 network portsRugged 2U rackmount chassis for durability in portable applicationsAuto-ranging universal switch-mode power supplyPRO SERIES DL155DL155 is a 2U 19" fixed-configuration rack I/O unit with 8 mic/line level inputs, 8 line level outputs and an 8 channel digital AES3 (AES/EBU) interface, and delivers legendary Midas sound quality utilising our time-tested and road-proven technologies. Featuring award-winning Midas microphone preamplifiers with 2.5 dB analogue gain steps and two AES50 network ports providing dual redundancy, the DL155 is the ideal partner to all Midas PRO and M32 Series digital consoles, enabling a digital snake connection from Front of House to stage.Award-Winning Midas Microphone PreamplifierThe Midas microphone preamplifier is considered by leading live sound and recording engineers to be the very essence of the famous Midas sound. More than 40 years of design experience paired with the finest choice of premium-grade components lead to the acclaimed warmth and depth - bringing out subtle ambience, maintaining spatial positioning and more effectively capturing a precise sound image. The acclaimed sound of the award-winning Midas microphone preamplifier has inspired generations of live sound engineers to their best work, creating sonic panoramas that have captivated audiences worldwide. Since pristine sound always begins with the microphone preamplifier, the first point where the signal enters the console, DL155 features the latest generation of Midas microphone preamplifiers, which faithfully reproduce every sonic detail so no part of a performance will ever be missed. Transparent and pristine sound, low noise and high common-mode rejection are all hallmarks of this classic design. Over the years many mix engineers have found this robust and overload-tolerant design takes on a whole new dimension of sound when driven hard, the crystal-clear audiophile reproduction giving way to just the right combination of harmonics, a warm and organic sound heard by millions of concert goers and recorded for posterity on countless live albums over the years.Digital Audio NetworkingSuperMAC (AES50-Compliant) digital audio networking technology from Klark Teknik simultaneously provides high channel counts, ultra low and deterministic latencies, sample-synchronous and phase-aligned networked clock distribution, error detection and correction, network redundancy, and ease of deployment and use – to meet the demanding requirements of live concert touring.DL155 is compatible with all Midas digital consoles and audio system engines, as well as with any other AES50-equipped devices.High Output Drive Line Outputs with MuteDL155 features 8 active servo-balanced low impedance line level outputs with high output current capability for driving long cable runs. The outputs feature an automatic mute facility if the audio signal path is muted by the mixing console operator, and individual LED indicators are provided for each output connector.AES3 Digital Audio InterfaceDL155 features an 8 channel digital AES3 (AES/EBU) interface with 8 input channels and 8 output channels, each configured as four digital data streams on individual XLR connectors. DL155 features sample rate conversion for both inputs and outputs and can interface to equipment operating at 48 kHz and 96 kHz. Additionally, DL155 features external clock synchronisation for input channels and word length and clock source options (internal 48 kHz, internal 96 kHz or external synchronisation) for output channels. Each AES3 input connector has LED indication for synchronisation lock to the incoming digital data stream. The AES3 outputs feature an automatic mute facility if the audio signal path is muted by the mixing console operator, and individual LED indicators are provided for each output connector.96 kHz or 48 kHz OperationDL155 supports multiple sample rates for the AES50 connections - 96 kHz for use with MIDAS PRO Series, and 48 kHz for use with MIDAS M32 Series.Remote Console or Front Panel ControlAll configuration settings for DL155 can be set either remotely from the mixing console, or directly via the intuitive and easy to understand front panel. DL155 features a front panel LCD display with intuitive menu navigation for all configuration options with LED status indicators, which provide clear feedback of operational status over wide viewing angles and distances. Clear indication is provided showing power supply output rail condition and AES50 and Ethernet network connection status and activity.Built for the RoadFeaturing a rugged steel 2U rackmount enclosure, the DL155 is designed for the rigours of live concert touring. Premium industry standard-connectors are used for reliable audio and network connections, night after night.Auto-Ranging Universal Switch-Mode Power SupplyDL155 features a universal power supply, which is auto-voltage sensing for use on a worldwide basis.Architecture & Engineering SpecificationsThe interface unit shall be designed for digital audio mixing applications and be optimised for use in live performance. It shall feature 8 integrated microphone preamplifier inputs with 2.5 dB analogue gain steps, 8 servo-balanced electronic outputs and a digital audio interface with 8 input channels and 8 output channels, each configured as four digital data streams, which shall be compliant with the Audio Engineering Society AES3-2009 standard. All connections shall be on industry-standard XLR connectors and the interface unit shall be capable of operating at 48 kHz and 96 kHz sampling rates. The interface unit digital audio interface shall incorporate sample rate conversion for the both inputs and outputs and shall be capable of interfacing to equipment operating at 48 kHz and 96 kHz. The interface unit digital audio interface shall feature external clock synchronisation for input channels and word length and clock source options (internal 48 kHz, internal 96 kHz or external synchronisation) for output channels. The interface unit shall have LED indication for +48V phantom power for each input channel connector The interface unit shall include an automatic output mute function if the audio signal path is muted via the control centre and shall have LED indication for output mute for each output channel connector and AES3 output connector. The interface unit shall have LED indication for synchronisation lock to the incoming digital data stream for each AES3 input connector. The interface unit shall support a 100 Megabit Ethernet frame-based digital audio network that shall off er dual cable redundancy and be compliant with the Audio Engineering Society AES50-2011 standard. Two digital audio network ports and one Ethernet control port shall be provided. The interface unit shall provide both front panel and remote network configuration of operational settings and provide an alphanumeric LCD display with associated menu navigation buttons, and LED status indication of power supply output rail condition and digital audio and control network connection status and activity. The interface unit shall include an auto-ranging universal switch-mode power supply for use on a worldwide basis The interface unit shall be housed in a standard 2U 19" rackmount chassis, and shall be 483 mm wide x 376 mm deep x 88 mm high (19.0" x 14.8" x 3.5"), with nominal weight 6.9 kg (15.2 lbs). The interface unit shall be installed in a rack frame or road case capable of safely supporting its weight. Input, output, and power connections shall be made at the rear panel of the interface unit. Installers shall allow adequate space at the rear for connection and disconnection of input, output, and power connections. The power requirements shall be 100 to 240 VAC, 50 to 60 Hz. The interface unit shall be the Midas DL155 and no other alternative shall be acceptable.Sample Rate 48 kHz, 96 kHzDynamic Range >107 dB unweighted (20 Hz - 20 kHz)Maximum Input Level CMRR @ 1 kHz Mic EIN (40 dB Gain) -126 dBuMaximum Output Level +21 dBu into 600 OOutput Noise (Unity Gain) -86 dBuFrequency Response ±0.5 dB (20 Hz - 20 kHz, relative to 1 kHz)THD+N (Unity Gain) <0.01%Crosstalk @ 1 kHz <-90 dBAnalogue Inputs 8 Mic/Line LevelConnector 3-pin XLR BalancedInput Impedance 10k OA/D Conversion 24 bit, 96 kHz with 128 times oversamplingPhantom Power +48V, individually switchable per channelAnalogue Outputs 8 Line LevelConnector 3-pin XLR BalancedOutput Impedance 50 OhmD/A Conversion 24 bit, 96 kHz with 128 times oversamplingDigital Inputs 4 (8 channels)Connector 3-pin XLR BalancedOutput Impedance 110 ohmDigital Interface Conforms to AES3-2009Digital Outputs 4 (8 channels)Connector 3-pin XLR BalancedOutput Impedance 110 ohmDigital Interface Conforms to AES3-2009Network Connections 2Connector Industry-standard RJ45 with status LEDsRedundancy Dual cable redundancyNetwork Interface Conforms to AES50-2011Ethernet Control Port 1Connector Industry-standard RJ45 with status LEDsPower 1 Connector IEC mains inletMains Input Voltage 100 to 240 VAC, 50-60 HzPower Consumption <150 WDimensions 483 x 416 x 88 mm (19.0 x 16.4 x 3.5")Net Weight 6.7 kg (14.7 lbs)Operating Temperature Range +5°C to +45°CStorage Temperature Range -20°C to +60°C

Stagebox mit 16 Eingängen und 8 Ausgängen, 16 Midas-Mikrofonvorverstärkern, ULTRANET- und ADAT-SchnittstellenMidas DL16Das digitale Mischen hat praktisch alles im Arbeitsablauf der Live-Entertainment-Produktion revolutioniert, und nun bringt dieselbe Spitzentechnologie die Signalverteilung der Live-Produktion in die Moderne. Die DL16 Stage Box versorgt 16 unserer preisgekrönten Mikrofonvorverstärker mit zuschaltbarer +48-V-Phantomspeisung; 8 symmetrische analoge XLR-Returns am Bühnenende; ein integrierter ULTRANET-Ausgang zum Anschluss an Behringer P16-M Personal Monitor Mixer; plus Konnektivität für Ihre ADAT-kompatible Außenbordausrüstung.Wenn Ihre Anwendung mehr Eingänge erfordert oder Sie Ihre Kabelwege einfach kurz und ordentlich halten möchten, bietet die Platzierung eines DL16 vor der Bühne und eines weiteren hinter dem Drum-Riser zusätzliche 16 Eingänge für die Mikrofonierung von Drum- und Gitarren-/Bassverstärkern. Das Beste daran: Es genügt ein einziges CAT5-Kabel pro Stagebox. MIDAS – Die Legende in Sachen KlangqualitätSeit der Gründung in den 1970er Jahren kann Midas auf eine lange Geschichte der Innovation und Führung in der Welt der Audiomischpulte zurückblicken. Die XL4- und Heritage H3000-Konsolen wurden von den berühmtesten Tour-Acts und Installationen weltweit eingesetzt und wurden schnell zu Industriestandards.Midas hat einen tadellosen Ruf für unsere kompromisslose Herangehensweise an Audio- und Verarbeitungsqualität erworben, insbesondere für unsere preisgekrönten Mikrofonvorverstärker, die von Branchenexperten als die am besten klingenden Designs der Branche angesehen werden. Aufbauend auf diesem Erbe verfügt der DL16 über 16 der gleichen Vorverstärker, die auch in hochgelobten Konsolen der PRO-Serie verwendet werden.ULTRANET – Nahtlose IntegrationDie weltbekannten Ingenieure von Klark Teknik, Midas, Turbosound und Behringer haben sich zusammengetan, um etwas wirklich Innovatives zu schaffen, das den Live- und Studio-Workflow für immer verändern wird – ULTRANET. Diese revolutionäre Technologie überträgt nahtlos bis zu 16 unabhängige Kanäle digitaler 24-Bit-Audio- und Steuerdaten über ein einziges CAT5-Kabel zwischen kompatiblen digitalen Geräten – einschließlich Mischpulten, I/O-Stageboxen, Aktivlautsprechern und persönlichen Überwachungssystemen. Vorteile der digitalen ULTRANET-Vernetzung im Vergleich zu herkömmlichen analogen Methoden: Audiosignale sind unempfindlich gegenüber Funkfrequenzstörungen (RFI); Signalübersprechen wird eliminiert; und die einfache Einrichtung führt direkt zu einer erheblichen Zeitersparnis bei der Installation. ULTRANET realisiert ein leistungsstarkes digitales Ökosystem, das Ihnen eine beispiellose Kontrolle über jedes Element Ihrer Audioproduktionsumgebung von einem praktischen Standort aus ermöglicht.ADAT-fähigViele Hersteller haben die digitale ADAT-Schnittstelle als Mittel zur Übertragung digitaler Daten zwischen bestimmten Arten von Audiogeräten wie Mischpulten, Synthesizern, Beleuchtungsanlagen und Effektprozessoren übernommen. Die integrierten ADAT-Ausgänge des DL16 ermöglichen die Aufteilung der hochwertigen Vorverstärkersignale der Midas Pro-Serie an externe Geräte – einschließlich Aufnahmesysteme. Wenn mehr Kanäle benötigt werden, können diese optischen Buchsen alternativ zum Anschluss von ADAT-fähigen D/A-Wandlern (wie dem Behringer ADA8200) für bis zu 16 zusätzliche analoge Ausgänge verwendet werden.  Zwei AES50-Ports für umfassende KonnektivitätDurch die Verbindung über ein einziges geschirmtes (STP) CAT5-Kabel können bis zu drei DL16 in Reihe geschaltet werden, um 48 Eingangs- und 24 Ausgangskanäle auf der Bühne zu liefern. Der AES50 von Klark Teknik bietet gleichzeitig eine hohe Kanalanzahl, extrem niedrige und deterministische Latenzen, eine genaue phasenausgerichtete Netzwerktaktverteilung, Fehlererkennung und Netzwerkredundanz bei einfacher Bereitstellung und Benutzerfreundlichkeit, um den Anforderungen der Live-Performance-Branche gerecht zu werden. Diese einzigartige Kombination kommt sowohl Live- und Studioaufnahmeanwendungen als auch der Postproduktions-, Rundfunk- und Audio-Routing-Infrastruktur zugute.48 bidirektionale Audiokanäle bei 48 kHz über etherCON-terminiertes, abgeschirmtes (STP) CAT5-Kabel von NeutrikEinkabel-Duplex-Verbindung für Audio- und Sample-ClocksAudiodatenübertragung auf physikalischer Ebene über EthernetHohe Kanalanzahl und extrem niedrige deterministische Latenz (2x3 Samples = 1⁄8 ms pro Knoten)Genaue phasenausgerichtete TaktverteilungUmfassende Fehlererkennung und -verwaltungBereitstellung für redundante Netzwerke - Minimale Konfiguration – völlig einfache Bereitstellung und Verwendung - Zusätzlicher Datenkanal, der mit dem Ethernet TCP/IP-Protokoll kompatibel ist Lizenzgebührenfreie Implementierungen als Xilinx-FPGA-Kerne verfügbarOEM-Module bei Entwicklerpartnern erhältlichFernsteuerbare Vorverstärker machen die Einrichtung zum KinderspielMit der ausgeklügelten Überwachungs-/Vorverstärker-Steuersektion des DL16 können Sie einen der 16 Eingänge, 8 Bus-Ausgänge oder P-16-Ausgangsströme für sofortige Leitungsprüfungen auswählen. Zusätzlich zur Signalmessung an der Bühnenbox können Sie auch die Verstärkung einzelner Eingangskanäle einstellen, eine +48-V-Phantomspeisung anlegen – und das Eingangssignal direkt über Kopfhörer hören und vieles mehr. Einmal festgelegt, können alle Konfigurationseinstellungen für absolute Systemsicherheit an der Konsole gesperrt werden. Zuweisbarer Kopfhörerausgang für das Monitoring auf der BühneFür eine einfache Einrichtung und Überprüfung der Signalführung befindet sich an der Vorderseite des DL16 praktischerweise eine Kopfhörerbuchse, über die Sie direkt auf einen der 16 Eingänge hören können. Wählen Sie einfach das Signal aus, das Sie überwachen möchten, indem Sie durch die 16 Kanäle scrollen, während Sie die Verstärkung anpassen und den Betriebsmodus auswählen – alles über einen einzigen robusten Drehregler. MIDI In/OutDie Verwendung der Szenenautomatisierung war noch nie einfacher und bequemer. Die Automatisierungsszenen ermöglichen die Einbindung von MIDI-Events, sodass externe MIDI-kompatible Geräte im Rahmen eines Szenenwechsels über den MIDI-Ausgang Ihrer Konsole gesteuert werden können. Darüber hinaus können Konsolenereignisse von einer externen MIDI-Quelle über den MIDI-Eingang Ihrer Konsole ausgelöst werden. Sie können die Verstärkungs- und Phantomspeisungseinstellungen auch über die MIDI-Kommunikationsfunktion fernsteuern. Beispiellose LeistungWie Sie sehen, ist die digitale Bühnenbox DL16 dank unserer legendären fernsteuerbaren Mikrofonvorverstärker, der AES50-Konnektivität von Klark Teknik und einer Fülle weiterer professioneller Funktionen die ideale 16 x 8-Signalverteilungslösung. Der DL16 ist robust genug gebaut, um den Strapazen auf der Straße standzuhalten, nimmt nur zwei Rackplätze ein und wird mit einem einzigen, kostengünstigen CAT5-Kabel an den FOH angeschlossen. Jetzt können Sie die fehlende Verbindung zwischen Bühne und FOH zu einem Bruchteil der Kosten konkurrierender Systeme erhalten – und wir sichern dies mit einem umfassenden Garantieprogramm ab.

24 Input, 24 Output Active Microphone Splitter with 2 Independent Midas Microphone Preamplifiers per Input2 award-winning Midas microphone preamplifiers per input with switchable +48 V phantom power2 dual redundant AES50 network ports with independent phase-locked loop synchronisation24 electronically balanced output channels can be sourced from microphone preamplifiers or AES50 portsRemote operation up to 100 m via CAT5/5e cableSelectable 96 kHz or 48 kHz sample rate operationAll settings programmable from front panel controls or consolePSU status indicator LEDs and configuration LCD display on front panelMIDI In, Out and Thru connectorsFeatures industry standard RJ-45 AES50 network portsRugged 5U rackmount chassis for durability in portable applicationsDual redundant auto-ranging universal switch-mode power suppliesDL231With today’s tech-savvy concertgoers demanding more and more from the professional sound engineer, the need to increase flexibility and functionality has never been greater. That’s why the Midas Research and Development team have expanded upon the existing Microphone Splitter format to bring you the DL231.Midas – The Legend in Sound QualityWith two independent Midas mic preamps per input, the highest quality of sonic performance is guaranteed. And with dual-redundant network ports and power supplies, peace of mind comes as standard.Analogue Meets Digital – The Best of Both WorldsThe DL231 combines the warmth and authenticity of analogue circuitry with the precision and agility of state-of-the-art digital techniques. Extreme care has been taken in the planning and execution of the PCB layout to maintain exceptional grounding and analogue/digital separation.Versatility Without CompromiseAs with all Midas products versatility without compromise is a priority, that’s why the DL231 comes fitted with MIDI (In, Out and Thru) and an Ethernet Control port, plus four AES50 ports to handle the independent dual-redundant digital audio interfaces. The DL231 is capable of being switched between 24-bit 96 kHz and 48 kHz operation. A Mute All Outputs button is provided for convenient onstage re-patching – and the DL231 is powered by dual-redundant PSUs for superb reliability. Housed in a road-ready, rugged rack-mountable chassis, the DL231 is ideally suited for transport and storage in standard flight cases (not included). Integration Within the Midas Product RangeStyled to match our existing console aesthetic, and designed to work with all Midas digital consoles, high performance I/O has never been easier to use - or more cost effective.

48 Input, 16 Output Stage Box with 48 Midas Microphone Preamplifiers48 award-winning Midas microphone preamplifiers with switchable +48 V phantom power16 actively balanced low impedance line level outputsSelectable 96 kHz or 48 kHz sample rate operationRemote operation up to 100 m via CAT5/5e cableAll settings programmable from front panel controls or consolePSU status indicator LEDs and configuration switches on front panel3 AES50 network ports for redundant connectionsMIDI In, Out and Thru connectorsFeatures industry standard RJ-45 AES50 network portsRugged 5U rackmount chassis for durability in portable applicationsDual redundant auto-ranging universal switch-mode power suppliesPRO SERIES DL251DL251 is a 5U 19" fixed-configuration rack I/O unit with 48 mic/line level inputs and 16 line level outputs and delivers legendary Midas sound quality utilising our time-tested and road-proven technologies. Featuring award-winning Midas microphone preamplifiers with 2.5 dB analogue gain steps and three AES50 network ports providing N+1 redundancy, plus an Ethernet control port and a MIDI Interface (In, Out, Thru), the DL251 is the ideal partner to the Midas M Series and PRO and Heritage Series digital consoles, enabling a digital snake connection from Front of House to stage.Award-Winning Midas Microphone PreamplifierThe Midas microphone preamplifier is considered by leading live sound and recording engineers to be the very essence of the famous Midas sound. More than 40 years of design experience paired with the finest choice of premium-grade components lead to the acclaimed warmth and depth - bringing out subtle ambience, maintaining spatial positioning and more effectively capturing a precise sound image. The acclaimed sound of the award-winning Midas microphone preamplifier has inspired generations of live sound engineers to their best work, creating sonic panoramas that have captivated audiences worldwide.Since pristine sound always begins with the microphone preamplifier, the first point where the signal enters the console, DL251 features the latest generation of Midas microphone preamplifiers, which faithfully reproduce every sonic detail so no part of a performance will ever be missed. Transparent and pristine sound, low noise and high common-mode rejection are all hallmarks of this classic design.Over the years many mix engineers have found this robust and overload-tolerant design takes on a whole new dimension of sound when driven hard, the crystal-clear audiophile reproduction giving way to just the right combination of harmonics, a warm and organic sound heard by millions of concert goers and recorded for posterity on countless live albums over the years.Digital Audio NetworkingSuperMAC (AES50-Compliant) digital audio networking technology from Klark Teknik simultaneously provides high channel counts, ultra low and deterministic latencies, sample-synchronous and phase-aligned networked clock distribution, error detection and correction, network redundancy, and ease of deployment and use – to meet the demanding requirements of live concert touring.DL251 is compatible with all Midas digital consoles and audio system engines, as well as with any other AES50-equipped devices.High Output Drive Line Outputs With MuteDL251 features 16 active servo-balanced low impedance line level outputs with high output current capability for driving long cable runs.A recessed ‘Mute All Outputs’ switch on the rear panel allows quiet and safe re-patching of cables, even during a show.96 kHz Or 48 kHz OperationDL251 supports multiple sample rates for the AES50 connections - 96 kHz for use with Midas Pro Series, and 48 kHz for use with Midas M32 Series.Remote Console Or Front Panel ControlAll configuration settings for DL251 can be set either remotely from the mixing console, or directly via the intuitive and easy to understand front panel. DL251 features front panel switches for all configuration options with LED status indicators, which provide highly visible feedback of operational status over wide viewing angles and distances.Clear indication is provided of power supply output rail condition, AES50 and Ethernet network connection status and activity, choice of internal or external clock synchronisation, unit identification and communication mode setting.Built For The RoadFeaturing a rugged steel 5U rackmount enclosure, the DL251 is designed for the rigours of live concert touring. Premium industry-standard connectors are used to ensure reliable audio and network connections, night after night.Dual Redundant Universal Switch-Mode Power SuppliesDL251 features dual-redundant power supplies, which are auto-voltage sensing for use on a worldwide basis and provide seamless switchover in the unlikely event of a loss of one power supply.DL251 Architecture and Engineering SpecificationsThe interface unit shall be designed for digital audio mixing applications and be optimised for use in live performance. It shall feature 48 integrated microphone preamplifier inputs with 2.5 dB analogue gain steps and 16 servo-balanced electronic outputs on industry-standard XLR connectors and shall be capable of operating at 48 kHz and 96 kHz sampling rates.The interface unit shall include a recessed switch on the rear panel to mute all outputs.The interface unit shall support a 100 Megabit Ethernet frame-based digital audio network that shall offer N+1 cable redundancy and be compliant with the Audio Engineering Society AES50-2011 standard. Three digital audio network ports and one Ethernet control port shall be provided. An industry-standard MIDI Interface (In, Out, Thru) shall also be provided.The interface unit shall provide both front panel and remote network configuration of operational settings and provide LED status of power supply output rail condition, digital audio and control network connection status and activity, clock synchronisation source, unit identification and communication mode setting.The interface unit shall include two auto-ranging universal switch-mode power supplies with dual redundancy for use on a worldwide basis.The interface unit shall be housed in a standard 5U 19" rackmount chassis, and shall be 483 mm wide x 414 mm deep x 221 mm high (19.0" x 16.3" x 8.7"), with nominal weight 10 kg (22.1 lbs). The interface unit shall be installed in a rack frame or road case capable of safely supporting its weight. Input, output, and power connections shall be made at the rear panel of the interface unit. Installers shall allow adequate space at the rear for connection and disconnection of input, output, and power connections. The power requirements shall be 100 to 240 VAC, 50 to 60 Hz.The interface unit shall be the Midas DL251 and no other alternative shall be acceptable.XLR connections Resilience N + 1 cable redundancy and dual redundant PSUsSampling rate 48 kHz, 96 kHzDynamic range 107 dB, 22 Hz to 22 kHz (no pre-emphasis)Maximum gain 45 dBCrosstalk @ 1 kHz -100 dB physically adjacent input channelsCrosstalk @ 10 kHz -90 dB physically adjacent input channelsDimensions 5U x 414 mm deepNet weight 10 kgShipping weight 18 kgPower requirements 100 to 240 VAC, 50 to 60 HzPower consumption at 115 V 1 PSU: 85 W, 85 VA 2 PSU: 110 W, 110 VAPower consumption at 230 V 1 PSU: 90 W, 100 VA 2 PSU: 110 W, 135 VAOperating temperature range +5°C to +40°CStorage temperature range -20°C to +60°CSystem Inputs and OutputsI/O box inputs Box analogue outputs MIDI 48 kHz I/O digital system inputs and outputs 96 kHz I/O digital system inputs and outputs Input and Output CharacteristicsAnalogue input characteristics Analogue output characteristics 48 kHz digital I/O characteristics 96 kHz digital I/O characteristics

16 Input, 48 Output Stage Box with 16 Midas Microphone Preamplifiers16 award-winning Midas microphone preamplifiers with switchable +48 V phantom power48 actively balanced low impedance line level outputsSelectable 96 kHz or 48 kHz sample rate operationRemote operation up to 100 m via CAT5/5e cableAll settings programmable from front panel controls or consolePSU status indicator LEDs and configuration switches on front panel3 AES50 network ports for redundant connectionsMIDI In, Out and Thru connectorsFeatures industry standard RJ-45 AES50 network portsRugged 5U rackmount chassis for durability in portable applicationsDual redundant auto-ranging universal switch-mode power suppliesPRO SERIES DL252DL252 is a 5U 19" fixed-configuration rack I/O unit with 16 mic/line level inputs and 48 line level outputs and delivers legendary Midas sound quality utilising our time-tested and road-proven technologies. Featuring award-winning Midas microphone preamplifiers with 2.5 dB analogue gain steps and three AES50 network ports providing N+1 redundancy, plus an Ethernet control port and a MIDI Interface (In, Out, Thru), the DL252 is the ideal partner to the Midas M32 Series and PRO Series and Heritage digital consoles, enabling a digital snake connection from Front of House to stage.Award-Winning MIDAS Microphone PreamplifierThe Midas microphone preamplifier is considered by leading live sound and recording engineers to be the very essence of the famous Midas sound. More than 40 years of design experience paired with the finest choice of premium-grade components lead to the acclaimed warmth and depth - bringing out subtle ambience, maintaining spatial positioning and more effectively capturing a precise sound image. The acclaimed sound of the award-winning Midas microphone preamplifier has inspired generations of live sound engineers to their best work, creating sonic panoramas that have captivated audiences worldwide. Since pristine sound always begins with the microphone preamplifier, the first point where the signal enters the console, DL252 features the latest generation of Midas microphone preamplifiers, which faithfully reproduce every sonic detail so no part of a performance will ever be missed. Transparent and pristine sound, low noise and high common-mode rejection are all hallmarks of this classic design. Over the years many mix engineers have found this robust and overload-tolerant design takes on a whole new dimension of sound when driven hard, the crystal-clear audiophile reproduction giving way to just the right combination of harmonics, a warm and organic sound heard by millions of concert goers and recorded for posterity on countless live albums over the years.Digital Audio NetworkingSuperMAC (AES50-Compliant) digital audio networking technology from Klark Teknik simultaneously provides high channel counts, ultra low and deterministic latencies, sample-synchronous and phase-aligned networked clock distribution, error detection and correction, network redundancy, and ease of deployment and use – to meet the demanding requirements of live concert touring. DL252 is compatible with all Midas digital consoles and audio system engines, as well as with any other AES50-equipped devices.High Output Drive Line Outputs with MuteDL252 features 48 active servo-balanced low impedance line level outputs with high output current capability for driving long cable runs. A recessed ‘Mute All Outputs’ switch on the rear panel allows quiet and safe re-patching of cables, even during a show.96 kHz or 48 kHz OperationDL252 supports multiple sample rates for the AES50 connections - 96 kHz for use with Midas PRO Series, and 48 kHz for use with Midas M32 Series.Remote Console or Front Panel ControlAll configuration settings for DL252 can be set either remotely from the mixing console, or directly via the intuitive and easy to understand front panel. DL252 features front panel switches for all configuration options with LED status indicators, which provide highly visible feedback of operational status over wide viewing angles and distances. Clear indication is provided showing power supply output rail condition, AES50 and Ethernet network connection status and activity, choice of internal or external clock synchronisation, unit identification and communication mode setting.Built for the RoadFeaturing a rugged steel 5U rackmount enclosure, the DL252 is designed for the rigours of live concert touring. Premium industry-standard connectors are used to ensure reliable audio and network connections, night after night.Dual Redundant Universal Switch-Mode Power SuppliesDL252 features dual-redundant power supplies, which are auto-voltage sensing for use on a worldwide basis and provide seamless switchover in the unlikely event of a loss of one power supply.Architecture & Engineering SpecificationsThe interface unit shall be designed for digital audio mixing applications and be optimised for use in live performance. It shall feature 16 integrated microphone preamplifier inputs with 2.5 dB analogue gain steps and 48 servo-balanced electronic outputs on industry-standard XLR connectors and shall be capable of operating at 48 kHz and 96 kHz sampling rates. The interface unit shall include a recessed switch on the rear panel to mute all outputs. The interface unit shall support a 100 Megabit Ethernet frame-based digital audio network that shall offer N+1 cable redundancy and be compliant with the Audio Engineering Society AES50-2011 standard. Three digital audio network ports and one Ethernet control port shall be provided. An industry-standard MIDI Interface (In, Out, Thru) shall also be provided. The interface unit shall provide both front panel and remote network configuration of operational settings and provide LED status of power supply output rail condition, digital audio and control network connection status and activity, clock synchronisation source, unit identification and communication mode setting. The interface unit shall include two auto-ranging universal switch-mode power supplies with dual redundancy for use on a worldwide basis. The interface unit shall be housed in a standard 5U 19" rackmount chassis, and shall be 483 mm wide x 414 mm deep x 221 mm high (19.0" x 16.3" x 8.7"), with nominal weight 10 kg (22.05 lbs). The interface unit shall be installed in a rack frame or road case capable of safely supporting its weight. Input, output, and power connections shall be made at the rear panel of the interface unit. Installers shall allow adequate space at the rear for connection and disconnection of input, output, and power connections. The power requirements shall be 100 to 240 VAC, 50 to 60 Hz. The interface unit shall be the Midas DL252 and no other alternative shall be acceptable.XLR connections Resilience N + 1 cable redundancy and dual redundant PSUsSampling rate 48 kHz, 96 kHzDynamic range 107 dB, 22 Hz to 22 kHz (no pre-emphasis)Maximum gain 45 dBCrosstalk @ 1 kHz -100 dB physically adjacent input channelsCrosstalk @ 10 kHz -90 dB physically adjacent input channelsDimensions 5U x 414 mm deepNet weight 10 kgShipping weight 18 kgPower requirements 100 to 240 VAC, 50 to 60 HzPower consumption at 115 V 1 PSU: 85 W, 85 VA 2 PSU: 110 W, 110 VAPower consumption at 230 V 1 PSU: 90 W, 100 VA 2 PSU: 110 W, 135 VAOperating temperature range +5°C to +40°CStorage temperature range -20°C to +60°CSystem Inputs and OutputsI/O box inputs Box analogue outputs MIDI 48 kHz I/O digital system inputs and outputs 96 kHz I/O digital system inputs and outputs Input and Output CharacteristicsAnalogue input characteristics Analogue output characteristics 48 kHz digital I/O characteristics 96 kHz digital I/O characteristics 

Stagebox mit 32 Eingängen und 16 Ausgängen, 32 Midas-Mikrofonvorverstärkern, ULTRANET- und ADAT-SchnittstellenMidas DL32Das digitale Mischen hat praktisch alles im Arbeitsablauf der Live-Entertainment-Produktion revolutioniert, und nun bringt dieselbe Spitzentechnologie die Signalverteilung der Live-Produktion in die Moderne. Die DL32 Stage Box versorgt 32 unserer preisgekrönten Mikrofonvorverstärker mit zuschaltbarer +48-V-Phantomspeisung; 16 symmetrische analoge XLR-Returns am Bühnenende; ein integrierter ULTRANET-Ausgang zum Anschluss an Behringer P16-M Personal Monitor Mixer; plus Konnektivität für Ihre ADAT-kompatible Außenbordausrüstung.Wenn Ihre Anwendung mehr Eingänge erfordert oder Sie Ihre Kabelwege einfach kurz und ordentlich halten möchten, bietet die Platzierung eines DL32 vor der Bühne und eines weiteren hinter dem Drum-Riser zusätzliche 16 Eingänge für die Mikrofonierung von Drum- und Gitarren-/Bassverstärkern. Das Beste daran: Es genügt ein einziges CAT5-Kabel pro Stagebox.MIDAS – Die Legende in Sachen KlangqualitätSeit der Gründung in den 1970er Jahren kann Midas auf eine lange Geschichte der Innovation und Führung in der Welt der Audiomischpulte zurückblicken. Die XL4- und Heritage H3000-Konsolen wurden von den berühmtesten Tour-Acts und Installationen weltweit eingesetzt und wurden schnell zu Industriestandards.Midas hat einen tadellosen Ruf für unsere kompromisslose Herangehensweise an Audio- und Verarbeitungsqualität erworben, insbesondere für unsere preisgekrönten Mikrofonvorverstärker, die von Branchenexperten als die am besten klingenden Designs der Branche angesehen werden. Aufbauend auf diesem Erbe verfügt der DL32 über 32 der gleichen Vorverstärker, die auch in hochgelobten Konsolen der PRO-Serie verwendet werden.Massive Konnektivität Bei Verwendung als Teil eines kompletten M32-Systems könnenzwei DL32 Stage Boxen über die integrierten AES50-Ports kaskadiert werden undbieten Konnektivität für bis zu 64 Mikrofon-/Line-Eingänge, 32 symmetrischeAusgänge und der ULTRANET-Port ermöglicht die direkte Verbindung mit derTurbosound iQ-Serie Lautsprecher und das Behringer POWERPLAY P-16 PersonalMonitoring System – das bis zu 48 einzelne Monitormischer versorgen kann. Wirhaben außerdem zwei optische ADAT-Buchsen und AES-3 (AES/EBU) für den Anschlussexterner Geräte, einen praktischen USB-Anschluss für Systemaktualisierungenüber Ihren PC sowie MIDI-I/O für Beleuchtungssysteme und Soundmodulsteuerungeingebaut. Ökosystem und darüber hinausDie DL32 wurde ursprünglich für unsere digitaleMischkonsole M32 entwickelt, aber jedes Mischpult mit AES50-Netzwerkfähigkeitkann immer noch direkt auf die leistungsstarken Funktionen des DL32 zugreifen.Beispielsweise könnten ein DL32 und ein M32C gemeinsam verwendet werden, um einferngesteuertes digitales Mischsystem zu erstellen in nur 4HE. Eine weitereHauptanwendung könnte darin bestehen, dass der M32C unabhängigeMonitor-Mischaufgaben übernimmt und gleichzeitig alle I/Os mit der Hauptkonsoleweiterleitet und teilt – einem M32 oder einem anderen digitalen Mixer, derMADI-, Dante-, ADAT- oder AES50-I/O unterstützt. Für genau diesen Zweck sindkostengünstige Optionskarten als Ersatz für die standardmäßige 32 x32-Kanal-USB-Schnittstelle separat erhältlich. Sie können sogar die kompletteShow vom M32C auf der Bühne über spezielle Fernbedienungs-Apps mischen. Und daDL32 und M32C über AES50 kommunizieren, können sie durch CAT5-Verkabelunggetrennt werden, falls dies für den Veranstaltungsort bequemer sein sollte.ULTRANET – Nahtlose IntegrationDie weltbekannten Ingenieure von Klark Teknik, Midas, Turbosound und Behringer haben sich zusammengetan, um etwas wirklich Innovatives zu schaffen, das den Live- und Studio-Workflow für immer verändern wird – ULTRANET. Diese revolutionäre Technologie überträgt nahtlos bis zu 16 unabhängige Kanäle digitaler 24-Bit-Audio- und Steuerdaten über ein einziges CAT5-Kabel zwischen kompatiblen digitalen Geräten – einschließlich Mischpulten, I/O-Stageboxen, Aktivlautsprechern und persönlichen Überwachungssystemen. Vorteile der digitalen ULTRANET-Vernetzung im Vergleich zu herkömmlichen analogen Methoden: Audiosignale sind unempfindlich gegenüber Funkfrequenzstörungen (RFI); Signalübersprechen wird eliminiert; und die einfache Einrichtung führt direkt zu einer erheblichen Zeitersparnis bei der Installation. ULTRANET realisiert ein leistungsstarkes digitales Ökosystem, das Ihnen eine beispiellose Kontrolle über jedes Element Ihrer Audioproduktionsumgebung von einem praktischen Standort aus ermöglicht.ADAT-fähigViele Hersteller haben die digitale ADAT-Schnittstelle als Mittel zur Übertragung digitaler Daten zwischen bestimmten Arten von Audiogeräten wie Mischpulten, Synthesizern, Beleuchtungsanlagen und Effektprozessoren übernommen. Die integrierten ADAT-Ausgänge des DL32 ermöglichen die Aufteilung der hochwertigen Vorverstärkersignale der Midas Pro-Serie an externe Geräte – einschließlich Aufnahmesysteme. Wenn mehr Kanäle benötigt werden, können diese optischen Buchsen alternativ zum Anschluss von ADAT-fähigen D/A-Wandlern (wie dem Behringer ADA8200) für bis zu 16 zusätzliche analoge Ausgänge verwendet werden. Zwei AES50-Ports für umfassende KonnektivitätDurch die Verbindung über ein einziges geschirmtes (STP) CAT5-Kabel können bis zu drei DL16 in Reihe geschaltet werden, um 48 Eingangs- und 24 Ausgangskanäle auf der Bühne zu liefern. Der AES50 von Klark Teknik bietet gleichzeitig eine hohe Kanalanzahl, extrem niedrige und deterministische Latenzen, eine genaue phasenausgerichtete Netzwerktaktverteilung, Fehlererkennung und Netzwerkredundanz bei einfacher Bereitstellung und Benutzerfreundlichkeit, um den Anforderungen der Live-Performance-Branche gerecht zu werden. Diese einzigartige Kombination kommt sowohl Live- und Studioaufnahmeanwendungen als auch der Postproduktions-, Rundfunk- und Audio-Routing-Infrastruktur zugute.48 bidirektionale Audiokanäle bei 48 kHz über etherCON-terminiertes, abgeschirmtes (STP) CAT5-Kabel von NeutrikEinkabel-Duplex-Verbindung für Audio- und Sample-ClocksAudiodatenübertragung auf physikalischer Ebene über EthernetHohe Kanalanzahl und extrem niedrige deterministische Latenz (2x3 Samples = 1⁄8 ms pro Knoten)Genaue phasenausgerichtete TaktverteilungUmfassende Fehlererkennung und -verwaltungBereitstellung für redundante Netzwerke - Minimale Konfiguration – völlig einfache Bereitstellung und Verwendung - Zusätzlicher Datenkanal, der mit dem Ethernet TCP/IP-Protokoll kompatibel ist Lizenzgebührenfreie Implementierungen als Xilinx-FPGA-Kerne verfügbarOEM-Module bei Entwicklerpartnern erhältlichFernsteuerbare Vorverstärker machen die Einrichtung zum KinderspielMit der ausgeklügelten Überwachungs-/Vorverstärker-Steuersektion des DL16 können Sie einen der 16 Eingänge, 8 Bus-Ausgänge oder P-16-Ausgangsströme für sofortige Leitungsprüfungen auswählen. Zusätzlich zur Signalmessung an der Bühnenbox können Sie auch die Verstärkung einzelner Eingangskanäle einstellen, eine +48-V-Phantomspeisung anlegen – und das Eingangssignal direkt über Kopfhörer hören und vieles mehr. Einmal festgelegt, können alle Konfigurationseinstellungen für absolute Systemsicherheit an der Konsole gesperrt werden.Zuweisbarer Kopfhörerausgang für das Monitoring auf der BühneFür eine einfache Einrichtung und Überprüfung der Signalführung befindet sich an der Vorderseite des DL16 praktischerweise eine Kopfhörerbuchse, über die Sie direkt auf einen der 16 Eingänge hören können. Wählen Sie einfach das Signal aus, das Sie überwachen möchten, indem Sie durch die 16 Kanäle scrollen, während Sie die Verstärkung anpassen und den Betriebsmodus auswählen – alles über einen einzigen robusten Drehregler.MIDI In/OutDie Verwendung der Szenenautomatisierung war noch nie einfacher und bequemer. Die Automatisierungsszenen ermöglichen die Einbindung von MIDI-Events, sodass externe MIDI-kompatible Geräte im Rahmen eines Szenenwechsels über den MIDI-Ausgang Ihrer Konsole gesteuert werden können. Darüber hinaus können Konsolenereignisse von einer externen MIDI-Quelle über den MIDI-Eingang Ihrer Konsole ausgelöst werden. Sie können die Verstärkungs- und Phantomspeisungseinstellungen auch über die MIDI-Kommunikationsfunktion fernsteuern.Beispiellose LeistungWie Sie sehen, ist die digitale Bühnenbox DL16 dank unserer legendären fernsteuerbaren Mikrofonvorverstärker, der AES50-Konnektivität von Klark Teknik und einer Fülle weiterer professioneller Funktionen die ideale 16 x 8-Signalverteilungslösung. Der DL16 ist robust genug gebaut, um den Strapazen auf der Straße standzuhalten, nimmt nur zwei Rackplätze ein und wird mit einem einzigen, kostengünstigen CAT5-Kabel an den FOH angeschlossen. Jetzt können Sie die fehlende Verbindung zwischen Bühne und FOH zu einem Bruchteil der Kosten konkurrierender Systeme erhalten – und wir sichern dies mit einem umfassenden Garantieprogramm ab.

Stagebox mit 32 Eingängen und 16 Ausgängen, 32 Midas-Mikrofonvorverstärkern, ULTRANET- und ADAT-SchnittstellenMidas DL32Das digitale Mischen hat praktisch alles im Arbeitsablauf der Live-Entertainment-Produktion revolutioniert, und nun bringt dieselbe Spitzentechnologie die Signalverteilung der Live-Produktion in die Moderne. Die DL32 Stage Box versorgt 32 unserer preisgekrönten Mikrofonvorverstärker mit zuschaltbarer +48-V-Phantomspeisung; 16 symmetrische analoge XLR-Returns am Bühnenende; ein integrierter ULTRANET-Ausgang zum Anschluss an Behringer P16-M Personal Monitor Mixer; plus Konnektivität für Ihre ADAT-kompatible Außenbordausrüstung.Wenn Ihre Anwendung mehr Eingänge erfordert oder Sie Ihre Kabelwege einfach kurz und ordentlich halten möchten, bietet die Platzierung eines DL32 vor der Bühne und eines weiteren hinter dem Drum-Riser zusätzliche 16 Eingänge für die Mikrofonierung von Drum- und Gitarren-/Bassverstärkern. Das Beste daran: Es genügt ein einziges CAT5-Kabel pro Stagebox.MIDAS – Die Legende in Sachen KlangqualitätSeit der Gründung in den 1970er Jahren kann Midas auf eine lange Geschichte der Innovation und Führung in der Welt der Audiomischpulte zurückblicken. Die XL4- und Heritage H3000-Konsolen wurden von den berühmtesten Tour-Acts und Installationen weltweit eingesetzt und wurden schnell zu Industriestandards.Midas hat einen tadellosen Ruf für unsere kompromisslose Herangehensweise an Audio- und Verarbeitungsqualität erworben, insbesondere für unsere preisgekrönten Mikrofonvorverstärker, die von Branchenexperten als die am besten klingenden Designs der Branche angesehen werden. Aufbauend auf diesem Erbe verfügt der DL32 über 32 der gleichen Vorverstärker, die auch in hochgelobten Konsolen der PRO-Serie verwendet werden. Massive Konnektivität Bei Verwendung als Teil eines kompletten M32-Systems können zwei DL32 Stage Boxen über die integrierten AES50-Ports kaskadiert werden und bieten Konnektivität für bis zu 64 Mikrofon-/Line-Eingänge, 32 symmetrische Ausgänge und der ULTRANET-Port ermöglicht die direkte Verbindung mit der Turbosound iQ-Serie Lautsprecher und das Behringer POWERPLAY P-16 Personal Monitoring System – das bis zu 48 einzelne Monitormischer versorgen kann. Wir haben außerdem zwei optische ADAT-Buchsen und AES-3 (AES/EBU) für den Anschluss externer Geräte, einen praktischen USB-Anschluss für Systemaktualisierungen über Ihren PC sowie MIDI-I/O für Beleuchtungssysteme und Soundmodulsteuerung eingebaut.   Ökosystem und darüber hinausDie DL32 wurde ursprünglich für unsere digitale Mischkonsole M32 entwickelt, aber jedes Mischpult mit AES50-Netzwerkfähigkeit kann immer noch direkt auf die leistungsstarken Funktionen des DL32 zugreifen. Beispielsweise könnten ein DL32 und ein M32C gemeinsam verwendet werden, um ein ferngesteuertes digitales Mischsystem zu erstellen in nur 4HE. Eine weitere Hauptanwendung könnte darin bestehen, dass der M32C unabhängige Monitor-Mischaufgaben übernimmt und gleichzeitig alle I/Os mit der Hauptkonsole weiterleitet und teilt – einem M32 oder einem anderen digitalen Mixer, der MADI-, Dante-, ADAT- oder AES50-I/O unterstützt. Für genau diesen Zweck sind kostengünstige Optionskarten als Ersatz für die standardmäßige 32 x 32-Kanal-USB-Schnittstelle separat erhältlich. Sie können sogar die komplette Show vom M32C auf der Bühne über spezielle Fernbedienungs-Apps mischen. Und da DL32 und M32C über AES50 kommunizieren, können sie durch CAT5-Verkabelung getrennt werden, falls dies für den Veranstaltungsort bequemer sein sollte. ULTRANET – Nahtlose IntegrationDie weltbekannten Ingenieure von Klark Teknik, Midas, Turbosound und Behringer haben sich zusammengetan, um etwas wirklich Innovatives zu schaffen, das den Live- und Studio-Workflow für immer verändern wird – ULTRANET. Diese revolutionäre Technologie überträgt nahtlos bis zu 16 unabhängige Kanäle digitaler 24-Bit-Audio- und Steuerdaten über ein einziges CAT5-Kabel zwischen kompatiblen digitalen Geräten – einschließlich Mischpulten, I/O-Stageboxen, Aktivlautsprechern und persönlichen Überwachungssystemen. Vorteile der digitalen ULTRANET-Vernetzung im Vergleich zu herkömmlichen analogen Methoden: Audiosignale sind unempfindlich gegenüber Funkfrequenzstörungen (RFI); Signalübersprechen wird eliminiert; und die einfache Einrichtung führt direkt zu einer erheblichen Zeitersparnis bei der Installation. ULTRANET realisiert ein leistungsstarkes digitales Ökosystem, das Ihnen eine beispiellose Kontrolle über jedes Element Ihrer Audioproduktionsumgebung von einem praktischen Standort aus ermöglicht.ADAT-fähigViele Hersteller haben die digitale ADAT-Schnittstelle als Mittel zur Übertragung digitaler Daten zwischen bestimmten Arten von Audiogeräten wie Mischpulten, Synthesizern, Beleuchtungsanlagen und Effektprozessoren übernommen. Die integrierten ADAT-Ausgänge des DL32 ermöglichen die Aufteilung der hochwertigen Vorverstärkersignale der Midas Pro-Serie an externe Geräte – einschließlich Aufnahmesysteme. Wenn mehr Kanäle benötigt werden, können diese optischen Buchsen alternativ zum Anschluss von ADAT-fähigen D/A-Wandlern (wie dem Behringer ADA8200) für bis zu 16 zusätzliche analoge Ausgänge verwendet werden. Zwei AES50-Ports für umfassende KonnektivitätDurch die Verbindung über ein einziges geschirmtes (STP) CAT5-Kabel können bis zu drei DL16 in Reihe geschaltet werden, um 48 Eingangs- und 24 Ausgangskanäle auf der Bühne zu liefern. Der AES50 von Klark Teknik bietet gleichzeitig eine hohe Kanalanzahl, extrem niedrige und deterministische Latenzen, eine genaue phasenausgerichtete Netzwerktaktverteilung, Fehlererkennung und Netzwerkredundanz bei einfacher Bereitstellung und Benutzerfreundlichkeit, um den Anforderungen der Live-Performance-Branche gerecht zu werden. Diese einzigartige Kombination kommt sowohl Live- und Studioaufnahmeanwendungen als auch der Postproduktions-, Rundfunk- und Audio-Routing-Infrastruktur zugute.48 bidirektionale Audiokanäle bei 48 kHz über etherCON-terminiertes, abgeschirmtes (STP) CAT5-Kabel von NeutrikEinkabel-Duplex-Verbindung für Audio- und Sample-ClocksAudiodatenübertragung auf physikalischer Ebene über EthernetHohe Kanalanzahl und extrem niedrige deterministische Latenz (2x3 Samples = 1⁄8 ms pro Knoten)Genaue phasenausgerichtete TaktverteilungUmfassende Fehlererkennung und -verwaltungBereitstellung für redundante Netzwerke - Minimale Konfiguration – völlig einfache Bereitstellung und Verwendung - Zusätzlicher Datenkanal, der mit dem Ethernet TCP/IP-Protokoll kompatibel ist Lizenzgebührenfreie Implementierungen als Xilinx-FPGA-Kerne verfügbarOEM-Module bei Entwicklerpartnern erhältlichFernsteuerbare Vorverstärker machen die Einrichtung zum KinderspielMit der ausgeklügelten Überwachungs-/Vorverstärker-Steuersektion des DL16 können Sie einen der 16 Eingänge, 8 Bus-Ausgänge oder P-16-Ausgangsströme für sofortige Leitungsprüfungen auswählen. Zusätzlich zur Signalmessung an der Bühnenbox können Sie auch die Verstärkung einzelner Eingangskanäle einstellen, eine +48-V-Phantomspeisung anlegen – und das Eingangssignal direkt über Kopfhörer hören und vieles mehr. Einmal festgelegt, können alle Konfigurationseinstellungen für absolute Systemsicherheit an der Konsole gesperrt werden.Zuweisbarer Kopfhörerausgang für das Monitoring auf der BühneFür eine einfache Einrichtung und Überprüfung der Signalführung befindet sich an der Vorderseite des DL16 praktischerweise eine Kopfhörerbuchse, über die Sie direkt auf einen der 16 Eingänge hören können. Wählen Sie einfach das Signal aus, das Sie überwachen möchten, indem Sie durch die 16 Kanäle scrollen, während Sie die Verstärkung anpassen und den Betriebsmodus auswählen – alles über einen einzigen robusten Drehregler.MIDI In/OutDie Verwendung der Szenenautomatisierung war noch nie einfacher und bequemer. Die Automatisierungsszenen ermöglichen die Einbindung von MIDI-Events, sodass externe MIDI-kompatible Geräte im Rahmen eines Szenenwechsels über den MIDI-Ausgang Ihrer Konsole gesteuert werden können. Darüber hinaus können Konsolenereignisse von einer externen MIDI-Quelle über den MIDI-Eingang Ihrer Konsole ausgelöst werden. Sie können die Verstärkungs- und Phantomspeisungseinstellungen auch über die MIDI-Kommunikationsfunktion fernsteuern.Beispiellose LeistungWie Sie sehen, ist die digitale Bühnenbox DL16 dank unserer legendären fernsteuerbaren Mikrofonvorverstärker, der AES50-Konnektivität von Klark Teknik und einer Fülle weiterer professioneller Funktionen die ideale 16 x 8-Signalverteilungslösung. Der DL16 ist robust genug gebaut, um den Strapazen auf der Straße standzuhalten, nimmt nur zwei Rackplätze ein und wird mit einem einzigen, kostengünstigen CAT5-Kabel an den FOH angeschlossen. Jetzt können Sie die fehlende Verbindung zwischen Bühne und FOH zu einem Bruchteil der Kosten konkurrierender Systeme erhalten – und wir sichern dies mit einem umfassenden Garantieprogramm ab.

24 Input, 72 Output Active Microphone Splitter with Independent Midas Microphone Preamplifiers24 channel microphone splitter with 2 electronically and 1 transformer balanced outputs per channel3 award-winning Midas microphone preamplifiers per channel with switchable +48 V phantom power2 independent dual redundant AES50 (X and Y) network portsLocal channel monitoring with integrated headphone amplifier24 bit audio operation with 96 kHz sample rateRemote operation up to 80 m via CAT5/5e cableAll settings programmable from front panel controls or consolePSU status indicator LEDs and configuration LCD display on front panelFeatures industry standard RJ-45 AES50 network portsRugged 6U rackmount chassis for durability in portable applicationsDual redundant auto-ranging universal switch-mode power suppliesPRO SERIES DL431DL431 is a 6U 19" fixed-configuration rack I/O unit designed for microphone signal splitting applications with 24 mic/line level inputs and 72 line level outputs, and delivers legendary Midas sound quality utilising our time-tested and roadproven technologies. Featuring two independent Midas microphone preamplifiers with 2.5 dB gain steps plus a third fixed gain Midas Microphone preamplifier per input channel, two dual redundant AES50 network interfaces, dual redundant Ethernet control ports and a MIDI Interface (In, Out, Thru), the DL431 is the ideal partner to the Midas PRO3, PRO6, PRO9, XL8 and PRO X and Heritage digital consoles, enabling a digital snake connection from Front of House to stage.Award-Winning Midas Microphone PreamplifierThe Midas microphone preamplifier is considered by leading live sound and recording engineers to be the very essence of the famous Midas sound. More than 40 years of design experience paired with the finest choice of premium-grade components lead to the acclaimed warmth and depth - bringing out subtle ambience, maintaining spatial positioning and more effectively capturing a precise sound image. The acclaimed sound of the award-winning Midas microphone preamplifier has inspired generations of live sound engineers to their best work, creating sonic panoramas that have captivated audiences worldwide.Since pristine sound always begins with the microphone preamplifier, the first point where the signal enters the console, DL431 features the latest generation of Midas microphone preamplifiers, which faithfully reproduce every sonic detail so no part of a performance will ever be missed. Transparent and pristine sound, low noise and high common-mode rejection are all hallmarks of this classic design.Over the years many mix engineers have found this robust and overload-tolerant design takes on a whole new dimension of sound when driven hard, the crystal-clear audiophile reproduction giving way to just the right combination of harmonics, a warm and organic sound heard by millions of concert goers and recorded for posterity on countless live albums over the years.Digital Audio NetworkingSuperMAC (AES50-Compliant) digital audio networking technology from Klark Teknik simultaneously provides high channel counts, ultra low and deterministic latencies, sample-synchronous and phase-aligned networked clock distribution, error detection and correction, network redundancy, and ease of deployment and use – to meet the demanding requirements of live concert touring.DL431 is compatible with all Midas PRO Series and XL8 digital consoles and audio system engines, as well as with any other 96 kHz-enabled AES50-equipped devices.Microphone SplitterEach input connector on the DL431 feeds three separate Midas microphone preamplifiers, two with independent remote gain control and +48V phantom power switching, and a third with fixed gain to drive the front panel transformer-balanced analogue output for interfacing to third party recording or outside broadcast equipment.The two independent variable gain microphone preamplifiers can be remotely controlled from two separate locations, such as the Front of House and Monitor mix positions. Each remotely controlled microphone preamplifier also has a dedicated analogue split output on the DL431 rear panel.A local channel monitoring facility with an integral headphone amplifier and separate line output allows incoming signals to be checked at source, an essential aid for system set-up and confirming signal integrity.Remote Console or Front Panel ControlAll configuration settings for DL431 can be set either remotely from the mixing console, or directly via the intuitive and easy to understand front panel. DL431 features a front panel LCD display with intuitive menu navigation for all configuration options with LED status indicators, which provide clear feedback of operational status over wide viewing angles and distances. Clear indication is provided showing power supply output rail condition and AES50 and Ethernet network connection status and activity. Each input channel has dedicated selection switch and LED bar graph metering, plus indicators for phantom power and high pass filter status.Built for the RoadFeaturing a rugged steel 6U rackmount enclosure, the DL431 is designed for the rigours of live concert touring. Premium industry-standard connectors are used for reliable audio and network connections, night after night.Auto-ranging universal switch-mode power supplyDL431 features dual-redundant power supplies, which are auto-voltage sensing for use on a worldwide basis and provide seamless switchover in the unlikely event of a loss of one power supply.Architecture & Engineering SpecificationsThe interface unit shall be designed for digital audio mixing applications and be optimised for use in live performance. It shall feature 24 input channels with three microphone preamplifiers per input channel - two independent remotely-controlled variable gain microphone preamplifiers with 2.5 dB gain steps and one fixed gain microphone preamplifier. Each variable gain preamplifier shall feed a rear panel servo-balanced electronic output and each fixed gain preamplifier shall feed a front panel transformer-isolated output all on industry-standard XLR connectors for a total of 72 outputs. The interface unit shall be capable of opera-ting at 96 kHz sampling rate.The interface unit shall support a 100 Megabit Ethernet frame-based digital audio network that shall offer dual redundancy and be compliant with the Audio Engineering Society AES50-2011 standard. Two dual redundant digital network audio interfaces with independent phase-locked loop synchronisation shall be provided. Two dual redundant Ethernet control ports and an industry-standard MIDI Interface (In Out Thru) shall also be provided.The interface unit shall provide both front panel and remote network configuration of operational settings and provide an alphanumeric LCD display with associated menu navigation buttons and LED status indication of power supply output rail condition and digital audio and control network connection status and activity.Each input channel shall have a selection switch LED signal metering bargraph and LED indication for +48V phantom power and high pass filter status.A local channel monitoring facility with an integral headphone amplifier and separate line output shall be provided for monitoring input channel signals.The interface unit shall include two auto-ranging universal switch-mode power supplies with dual redundancy for use on a worldwide basis.The interface unit shall be housed in a standard 6U 19" rackmount chassis and shall be 483 mm wide x 402 mm deep x 266 mm high (19.0" x 15.8" x 10.5") with nominal weight 21.5 kg (47.3 lbs). The interface unit shall be installed in a rack frame or road case capable of safely supporting its weight. Input output and power connections shall be made at the rear panel of the interface unit. Installers shall allow adequate space at the rear for connection and disconnection of input output and power connections. The power requirements shall be 100 to 240 VAC 50 to 60 Hz.The interface unit shall be the MIDAS DL431 and no other alternative shall be acceptable.Dimensions 6U x 402 mm deepNet weight 21.5 kgPower requirements 100 to 240 VAC, 50 to 60 HzOperating temperature range +5°C to +40°CStorage temperature range -20°C to +60°CDynamic range (DL431 analogue input to DL431 analogue output) 124 dB unweightedDynamic range (DL431 analogue input to DL451 analogue output) 110 dB unweighted

PoE-Powered 8 Input, 8 Output Stage Box with Midas PRO Microphone Preamplifiers and 2 Powered ULTRANET Monitoring Outputs8 award-winning Midas PRO microphone preamplifiers with switchable 48 V phantom power8 electronically balanced low impedance line level outputsPowered via AES50 PoE from compatible Midas hubs, or from internal switched mode power supplyULTRANET distribution hub for powered connection of 2 personal monitoring mixersDigital audio and control connectivity for Turbosound speaker systems with ULTRANET networking capabilityDual AES50 SuperMAC ports for cascading additional stageboxes—no merger or router requiredRack ears and protection bumpers included for installed and on-stage applicationsRemote operation via shielded CAT5e cable up to 330 ft / 100 m lengthFeatures industry standard RJ-45 AES50 network portsRugged chassis for durability in portable applicationsAuto-ranging universal switch-mode power supplyDL8The DL8 Stage Box provides 8 of our award-winning Midas PRO microphone preamplifiers with switchable +48 V phantom power; 8 electronically balanced low impedance line level; integrated ULTRANET distribution hub for connecting to Behringer P16-M personal monitor mixers or Turbosound speaker systems; plus dual AES50 SuperMAC ports for cascading additional StageBoxes.ULTRANET – Seamless IntegrationEngineers at Midas, Klark Teknik, Turbosound and Behringer have come together to create a rock-solid, easy to deploy, lowest-latency, long-distance, multi-channel audio transmission interface. The Ultranet technology has meanwhile proven to seamlessly transmit 16 channels of 24-bit audio over standard CAT5 cable up to 75m length, in hundreds of thousands of applications world-wide -- connecting mixers, I/O boxes, powered loudspeakers and personal monitoring systems.  Ultranet effectuates a powerful digital eco-system that combines highest reliability, with unparalleled ease of use and flexibility.Dual AES50 Ports for Massive ConnectivityConnecting over a single shielded (STP) CAT5 cable, up to three DL8s can be daisy-chained to deliver 48 channels in and 48 out to the stage. Klark Teknik’s AES50 simultaneously provides high channel counts, extremely low and deterministic latencies, accurate phase-aligned networked clock distribution, error detection, network redundancy, with simple deployment and ease of use to meet the needs of the live performance industry. This unique combination also benefits both live and studio recording applications, as well as post-production, broadcasting and audio routing infrastructure.Unparalleled PerformanceThe DL8 digital stage box is the ideal 8 x 8 signal distribution solution thanks to our legendary remote controllable mic preamps, Klark Teknik’s AES50 connectivity and a wealth of other professional-grade features. Built tough enough to withstand the rigors of the road, the DL8 only takes up two rack spaces and connects to FOH with a single, inexpensive CAT5 cable. Now you can have the missing link between the stage and FOH at a fraction of the cost of competing systems – and we back it up with a comprehensive warranty program.Visit your local authorised dealer or get yours online today – and find out what the Midas DL8 Stage Box can do for your next performance or studio session.A/D-D/A conversion 24-bit @ 44.1 / 48 kHz, 114 dB dynamic range (A-weighted)Networked I/O latency (stagebox in > console processing* > stagebox out) 1.1 msProgrammable mic preamps, designed by Midas, balanced XLR/TRS combo 8Line outputs, balanced XLR 8ULTRANET outputs, RJ45 (power supplied for Behringer P16-M personal mixers) 2AES50 port, SuperMAC networking, Industry standard RJ-45 2USB port for system updates, type B 1Mic Input Characteristics (Midas PRO)Mic input impedance XLR jack, unbal. / bal.  5 kΩ / 10 kΩTHD + noise, 20 dB gain, 0 dBu out < 0.006%, unweightedPhantom power, switchable per input +48 VEquivalent input noise level, XLR (input shorted) -125 dBu, unweightedCMRR, XLR, @ 20 dB gain (typical) >75 dBFrequency response @ 48 kHz sample rate 10 Hz - 22 kHz, 0 dB to -1 dBDynamic range, analog mic in to analog out (typical) 106 dB, 22 Hz to 22 kHz, unweightedA/D dynamic range, mic preamp to converter (typical) 109 dB, 22 Hz to 22 kHz, unweightedD/A dynamic range, converter and output 108 dB, 22 Hz to 22 kHz, unweightedCrosstalk rejection @ 1 kHz, adjacent channels 100 dBNon clip maximuminput level, XLR +23 dBuLine input impedance TRS jack, unbal. / bal. 5 kΩ / 10 kΩNon clip maximum input level, TRS +23 dBuOutput impedance, XLR, unbal. / bal. 50 Ω / 100 ΩOutput level, XLR, nom. / max. +21 dBuResidual noise level, XLR -88 dBu, 22 Hz to 22 kHz, unweightedAES50 SuperMAC networking @ 48 or 44.1 kHz, 24-bit PCM 2 x 48 Channels, bidirectionalAES50 SuperMAC cable length, CAT5 shielded** < 80 m recommendedULTRANET networking @ 48 or 44.1 kHz, 22-bit PCM 2ULTRANET cable length, CAT5 shielded < 75 mULTRANET phantom power for P16-M personal mixers 2 powered outputs* Incl. all channel and bus processing, excl. insert effects and line delays** Klark Teknik NCAT5E-50M recommended

Bus-Powered StageConnect Interface with 16 Analogue Inputs and Dual Ultranet OutputsBreakout box with 16 balanced XLR line inputs for StageConnect and Behringer Ultranet systemsCan be used as analogue input box for other StageConnect devices, Turbosound iQ speakers or Behringer WING and Ultranet receivers such as P16 personal monitoring mixersStageConnect 32-channel audio transmission at sub-millisecond latency, 24-Bit uncompressed PCM, 44.1/48 kHz using standard XLR microphone or DMX cableTwo units can be cascaded for a total of 32 low-latency analogue line inputs feeding the StageConnect busFlexible connectivity on stage and between side racks using any balanced microphone cableSupports bi-directional audio configurations, with control data and 12 VDC / 18 W remote powerDN4816-IThe DN4816-I is the perfect solution for connecting additional line inputs to your monitor or FOH console. It provides 16 analogue inputs to connect wireless receivers or other external audio players.The StageConnect interface can be connected to other StageConnect devices using a single XLR cable for multi-channel audio transmission. There are various I/O options available providing easily scalable connectivity in your side rack. The devices of the DN48XX Series can be daisy-chained and will negotiate the channels for their respective connectivity automatically.StageConnect – The Future of XLRWhat if any standard XLR or DMX cable could be used to transmit more than one channel of audio? What if that cable could transmit signals not only one way, but bi-directionally?What if that cable would allow the passage of control data or even MIDI at the same time?What if a connected StageConnect device could receive up to 18 W of power through that same cable?Well, these capabilities are exactly what StageConnect delivers – a new interface standard to be released by Music Tribe after two years of development. The Midas DN48XX Series is one of the first available I/O-Interfaces based on the StageConnect-Standard. This new standard comes with outstanding technical specs: 32 channels of uncompressed PCM audio in various I/O configurations, 24-bit at 48 kHz, below 0.05 ms of latency.For optimum performance and long cable runs 110 Ohm DMX-Cable is required.Ecosystem and BeyondThe DN48XX Series is the first generation of I/O Interfaces for the new StageConnect ecosystem. StageConnect was introduced with the Behringer WING mixing console. Even though the DN48XX Series was designed with the WING console in mind the devices can be used with all StageConnect devices like HUB4. The StageConnect ecosystem opens a wide field of audio devices. May it be several I/O devices spread over the stage or equipment in the siderack - the use cases for the DN48XX Series StageConnect Interfaces are virtually endless.Cascade Interfaces to Meet Your RequirementsNo matter if you want to use StageConnect for connecting wireless systems, external effects or playback systems, the devices of the DN48XX Series can easily be daisy-chained to meet the requirements of your respective I/O configurations. With a total bandwidth of 32 channels, all combinations ranging from 32 inputs over 16 in and outputs in parallel to 32 outputs can be achieved using different combinations of DN48XX interfaces connected using a simple XLR cable.Power Via DC or StageConnectThe DN48XX Series devices can be powered via DC or via StageConnect. By design every SC Master provides 18W of power that can be used by devices in the chain. Depending on the respective power consumption multiple devices in the chain can be phantom powered by a single Master device. It should be noted that an SC device in the chain that is supplied with DC power can supply other devices connected to its Master port as well. To check your respective setup for power consumption, use the StageConnect Calculator (SSC Tool). This tool checks a virtually configured chain for the DMX cable lengths, power supply, audio routing and other parameters.Automatic Bus ConfigurationThere are two ways to configure an SC chain. Either you can manually configure the chain using devices like WING or let the Automatic Bus Configuration do its work. This process adapts the input and output configuration of the SC Bus depending on the connected devices. Simply connect devices and the Master device of the chain will automatically change the routing. To check and plan setups, the SSC Tool software is available, providing information about the routing and DMX cable length, power management and other parameters.Analogue Outputs for IEM TransmittersThe DN4816-I features 16 balanced line level combo inputs, that can carry signals from external hardware like wireless microphones. All you need to do is mount the DN4816-I to your wireless rack and connect it to your console using a single XLR cable. This way you can save local Inputs, reduce set up time and increase reliability considerably. Alternatively, these analogue inputs can also be used for external audio sources, like video streams or backing tracks.ULTRANET – Seamless IntegrationThe well-established ultranet technology transmits up to 16 independent channels of 24-bit digital audio via a single CAT5 cable between compatible digital devices. The DN48XX Series devices serve Ultranet connectivity for translation between StageConnect and Ultranet. This way more than 1 million Ultranet products in the market like the P16 monitoring system, AIR mixers and Turbosound speakers can be integrated in the StageConnect ecosystem.StageConnect CalculatorThe StageConnect Calculator is a tool that can be used for checking and planning setups. You can create a virtual SC chain to study the upstream and downstream routing. The calculator also indicates parameters maximum DMX cable lengths, power budget and the overall stability of your connection.You can virtually change the configuration of individual devices, change their order and intuitively add or remove devices from the chain. This allows you to explore the possibilities of routing signals through the new ecosystem.A/D conversion 24-Bit, 48/44.1 kHz, 114 dBStageConnect bus capacity 32 ch, 24-Bit PCM audioI/O latency <0.05 msConnectors Analog Inputs 16 x XLR female jacks, balancedImpedance 20 kΩ unbalanced / 40 kΩ balancedMax. input level +21 dBuUltranet 2 x RJ45Shielded CAT5e cable max. length 75 mStageConnect 1 XLR male, 1 XLR femaleShielded bal. 110-Ohm DMX cable max. 40 mUSB Type BFrequency response 20 Hz - 20 kHz ±0.2 dBDynamic range 106 dBCross talk rejection @ 1 kHz, adjacent channel 106 dBNoise (20 Hz - 20 kHz bandwidth) -106 dBFSDistortion 0.004% / 1 kHz / 0 dBu inPower supply 12 VDC / 2.5 A (30 W) adapter included, remote power input via SLAVE XLR (female), remote power output via MASTER XLR (male) 12 VDC / 1.5 A (18 W)Power consumption 8.5 WStandard operating temperature range 5° - 45° C (41° - 113° F)Dimensions 49 x 483 x 169 mm (1.9 x 19.0 x 6.7")Weight 2.2 kg (4.9 lbs)

Bus-Powered StageCONNECT Interface with 16 Analog Outputs and Ultranet In/OutBreakout box with 16 balanced XLR line out for StageConnect and Behringer Ultranet systemsAnalog output box for other StageConnect devices, Midas HUB4 and Behringer WING or Ultranet transmitters such as Midas MR18/M32 and DL16/DL32 stageboxesStageConnect 32-channel audio transmission at sub-millisecond latency, 24-Bit uncompressed PCM, 44.1/48 kHz using standard XLR microphone or DMX cableTwo units can be cascaded for a total of 32 low-latency analogue outputs fed from a single StageConnect sourceFlexible connectivity on stage and between side racks using any balanced microphone cableSupports bi-directional audio configurations, with control data and 12 VDC / 18 W remote powerMaster mode allows exchanging multichannel audio with a chain of other StageConnect devicesOperates in Master mode, or as Slave synchronised to StageConnect or Ultranet input streamsUltranet output for feeding Turbosound iQ speaker systems and Behringer P16 personal monitoring directly from StageConnect busExternal power supply for standalone use and offering remote power on the StageConnect Master outputDN4816-OThe DN4816-O is the perfect solution for connecting additional line outputs to your monitor or FOH console. It provides 16 analog outputs (e.g., to connect wireless transmitters for in-ear monitoring). Additionally, it provides an Ultranet input, that can be used to forward Signals from an AIR mixer via StageConnect.The StageConnect interface can be connected to other StageConnect devices using a single XLR cable for multi-channel audio transmission. There are various I/O options available providing easily scalable connectivity in your side rack. The devices of the DN48XX Series can be daisy-chained and will negotiate the channels for their respective connectivity automatically.StageConnect – The Future of XLRWhat if any standard XLR or DMX cable could be used to transmit more than one channel of audio?What if that cable could transmit signals not only one way, but bi-directionally?What if that cable would allow the passage of control data or even MIDI at the same time?What if a connected StageConnect device could receive up to 18 W of power through that same cable?Well, these capabilities are exactly what StageConnect delivers – a new interface standard to be released by Music Tribe after two years of development. The Midas DN48XX Series is one of the first available I/O-Interfaces based on the StageConnect standard. This new standard comes with outstanding technical specs: 32 channels of uncompressed PCM audio in various I/O configurations, 24-bit at 48 kHz, below 0.5 ms of latency.For optimum performance and long cable runs 110 Ohm DMX cable is required.Ecosystem and BeyondThe DN48XX Series is the first generation of I/O Interfaces for the new StageConnect ecosystem. StageConnect was introduced with the Behringer WING mixing console. Even though the DN48XX Series was designed with the WING console in mind the devices can be used with all StageConnect devices like HUB4. The StageConnect Ecosystem opens a wide field of audio devices. May it be several I/O devices spread over the Stage or equipment in the siderack – the use cases for the DN48XX Series StageConnect Interfaces are virtually endless.Cascade Interfaces to Meet Your RequirementsNo matter if you want to use StageConnect for connecting wireless systems, external effects or playback systems, the devices of the DN48XX Series can easily be daisy-chained to meet the requirements of your respective I/O configurations. With a total bandwidth of 32 channels, all combinations ranging from 32 inputs over 16 In and outputs in parallel to 32 outputs can be achieved using different combinations of DN48XX interfaces connected using a simple XLR cable.Power Via DC or StageConnectThe DN48XX Series devices can be powered via DC or via StageConnect. By design every SC Master provides 18W of power that can be used by devices in the chain. Depending on the respective power consumption multiple devices in the chain can be phantom powered by a single Master device. It should be noted that an SC device in the chain that is supplied with DC power can supply other devices connected to its Master port as well. To check your respective setup for power consumption, use the StageConnect Calculator (SSC Tool). This tool checks a virtually configured chain for the DMX cable lengths, power supply, audio routing and other parameters.Automatic Bus ConfigurationThere are two ways to configure an SC chain. Either you can manually configure the chain using devices like WING or let the Automatic Bus Configuration do its work. This process adapts the input and output configuration of the SC Bus depending on the connected devices. Simply connect devices and the Master device of the chain will automatically change the routing. To check and plan setups the SSC Tool software is available, providing information about the routing and DMX cable length, power management and other parameters.Analogue Outputs for IEM TransmittersDN4816-O features 16 balanced line-level outputs that can carry up to 8 stereo mixes separated from the Console. All you need to do is mount the DN4816-O to your wireless rack and connect it to your console using a single XLR cable. This way you can save local outputs, reduce setup time and increase reliability considerably. Alternatively, these analogue outputs can also be used as spare outputs on stage receiving signals directly from the FOH consoles, e.g. for providing talkback or side fill outputs.ULTRANET – Seamless IntegrationThe well-established ultranet technology transmits up to 16 independent channels of 24-bit digital audio via a single CAT5 cable between compatible digital devices. The DN48XX Series devices serve Ultranet connectivity for translation between StageConnect and Ultranet. This way more than 1 million Ultranet-Products in the market like the P16 monitoring system, AIR mixers and Turbosound speakers can be integrated in the StageConnect ecosystem.StageConnect CalculatorThe StageConnect Calculator (SCC Tool) is a tool that can be used for checking and planning setups. You can create a virtual SC chain to study the upstream and downstream routing. The calculator also indicates parameters maximum DMX cable lengths, power budget and the overall stability of your connection.You can virtually change the configuration of individual devices, change their order and intuitively add or remove devices from the chain. This allows you to explore the possibilities of routing signals through the new ecosystem.D/A conversion 24-Bit, 48/44.1 kHz, 114 dBStageConnect bus capacity 32 ch, 24-Bit PCM audioI/O latency ≤0.5 msConnectors Analog Outputs 16 x XLR male jacks, balancedImpedance 100 Ω unbalanced / 200 Ω balancedMax. output level +21 d B uUltranet 2 x RJ45Shielded CAT5e cable max. length 75 mStageConnect 1 XLR male, 1 XLR femaleShielded bal. 110-Ohm DMX cable max. 40 mUSB Type BFrequency response 20 Hz - 20 kHz ±0.2 dBDynamic range 110 d BCross talk rejection @ 1 kHz, adjacent channels 110 d BNoise (20 Hz - 20 kHz bandwidth) -90 dBuDistortion 0.004% / 1 kHz / 0 dBu outPower supply 12 VDC / 2.5 A (30 W) adapter included, remote power input via SLAVE XLR (female),remote power output via MASTER XLR (male) 12 VDC / 1.5 A (18 W)Power consumption 9 WStandard operating temperature range 5° - 45° C (41° - 113° F)Dimensions 49 x 483 x 169 mm (1.9 x 19.0 x 6.7")Weight 2.2 kg (4.9 lbs)

Bus-Powered StageCONNECT Interface with 8x8 Analogue In/Out and Dual Ultranet OutputsBreakout box with 8 balanced XLR line in and 8 balanced XLR line out for StageConnect systemsCan be used as analogue I/O box for other StageConnect devices, Turbosound iQ speakers or Behringer WING and Ultranet receivers, such as P16 personal monitoring mixersStageConnect 32-channel audio transmission at sub-millisecond latency, 24-Bit uncompressed PCM, 44.1/48 kHz using standard XLR microphone or DMX cableAllows cascading with other StageConnect boxes, such as DN4816-I and DN4816-O for more analogue inputs and outputsFlexible connectivity on stage and between side racks using any balanced microphone cableSupports bi-directional audio configurations, with control data and 12 VDC / 18 W remote powerMaster mode allows exchanging multichannel audio with a chain of other StageConnect devicesSlave modes offer 8x8 or 16x8 channel configurations to be used with StageConnect-enabled mixing consoles, stageboxes and hubsDual Ultranet outputs for feeding Behringer P16 personal monitoring and Turbosound iQ speaker systems directly from StageConnect and analogue inputsExternal power supply for standalone use and offering remote power on the StageConnect Master output DN4888The DN4888 is the perfect solution for connecting additional equipment to your monitor or FOH console. It provides 8 additional analogue in and outputs to enable for 8 analogue inserts or the connection to wireless devices, like 8 wireless microphones and 8 wireless in-ear systems. The StageConnect interface can be connected to other StageConnect devices using a single XLR cable for multi-channel audio transmission. There are various I/O options available providing easily scalable connectivity in your side rack. The devices of the DN48XX Series can be daisy-chained and will negotiate the channels for their respective connectivity automatically.  StageConnect – The Future of XLRWhat if any standard XLR or DMX cable could be used to transmit more than one channel of audio?What if that cable could transmit signals not only one way, but bi-directionally?What if that cable would allow the passage of control data or even MIDI at the same time?What if a connected StageConnect device could receive up to 18 W of power through that same cable?Well, these capabilities are exactly what StageConnect delivers – a new interface standard to be released by Music Tribe after two years of development. The Midas DN48XX Series is one of the first available I/O-Interfaces based on the StageConnect-Standard. This new standard comes with outstanding technical specs: 32 channels of uncompressed PCM audio in various I/O configurations, 24-bit at 48 kHz, below 0.05 ms of latency.For optimum performance and long cable runs 110 Ohm DMX cable is required. Ecosystem and BeyondThe DN48XX Series is the first generation of I/O Interfaces for the new StageConnect ecosystem. StageConnect was introduced with the Behringer WING mixing console. Even though the DN48XX Series was designed with the WING console in mind the devices can be used with all StageConnect devices like HUB4. The StageConnect Ecosystem opens a wide field of audio devices. May it be several I/O devices spread over the Stage or equipment in the siderack - the use cases for the DN48XX Series StageConnect Interfaces are virtually endless.  Cascade Interfaces to Meet Your RequirementsNo matter if you want to use StageConnect for connecting wireless systems, external effects or playback systems, the devices of the DN48XX series can easily be daisy-chained to meet the requirements of your respective I/O configurations. With a total bandwidth of 32 channels, all combinations ranging from 32 inputs over 16 in and outputs in parallel to 32 outputs can be achieved using different combinations of DN48XX interfaces connected using a simple XLR cable. Power via DC or StageConnectThe DN48XX Series devices can be powered via DC or via StageConnect. By design, every SC Master provides 18W of power that can be used by devices in the chain. Depending on the respective power consumption multiple devices in the chain can be phantom powered by a single Master device. It should be noted that an SC device in the chain that is supplied with DC power can supply other devices connected to its Master Port as well. To check your respective setup for power consumption, use the StageConnect Calculator (SSC Tool). This tool checks a virtually configured chain for the DMX cable lengths, power supply, audio routing and other parameters. Automatic Bus ConfigurationThere are two ways to configure an SC Chain. Either you can manually configure the chain using devices like WING or let the Automatic Bus Configuration do its work. This process adapts the input and output configuration of the SC Bus depending on the connected devices. Simply connect devices and the Master device of the chain will automatically change the routing. To check and plan setups, the SSC Tool software is available, providing information about the routing and DMX cable length, power management and other parameters. Analogue I/O for External EffectsThe DN4888 features 8 balanced line-level in and outputs that can feed external FX processors. All you need to do is mount the DN4888 to your effect rack and connect it to your Console using a single XLR cable. This way you can save local outputs, reduce setup time and increase reliability considerably. Alternatively, these connections can be used for wireless transmitters and receivers or any other application requiring additional analog in and outputs. ULTRANET – Seamless Integration The well-established ultranet technology transmits up to 16 independent channels of 24-bit digital audio via a single CAT5 cable between compatible digital devices. The DN48XX Series devices serve Ultranet connectivity for translation between StageConnect and Ultranet. This way more than 1 million Ultranet products in the market like the P16 monitoring system, AIR mixers and Turbosound speakers can be integrated in the StageConnect ecosystem. StageConnect CalculatorThe StageConnect Calculator is a tool that can be used for checking and planning setups. You can create a virtual SC chain to study the upstream and downstream routing. The calculator also indicates parameters maximum DMX cable lengths, power budget and the overall stability of your connection.  You can virtually change the configuration of individual devices, change their order and intuitively add or remove devices from the chain. This allows you to explore the possibilities of routing signals through the new ecosystem. A/D conversion 24-Bit, 48/44.1 kHz, 114 dBStageConnect bus capacity 32 ch, 24-Bit PCM audioI/O latency < 0.05 msConnectors Analog Inputs 8 x XLR female jacks, balancedImpedance 20 kΩ unbalanced / 40 kΩ balancedMax. input level +21 dBuAnalog Outputs 8 x XLR male jacks, balancedImpedance 100 Ω unbalanced / 200 Ω balancedMax. output level +21 dBuUltranet 2 x RJ45Shielded CAT5e cable max. length 75 mStageConnect 1 XLR male, 1 XLR femaleShielded bal. 110-Ohm DMX cable max. 40 mUSB Type BFrequency response 20 Hz - 20 kHz ±0.2 dBDynamic range 110 dB DA / 106 dB ADCross talk rejection @ 1 kHz, adjacent channels 110 dB DA / 104 dB ADNoise (20 Hz - 20 kHz bandwidth) -90 dBu DA / -106 dBFS ADDistortion 0.004% DA  @ 0 dBu 0.004% AD 1 kHzPower supply 12 VDC / 2.5 A (30 W) adapter included, remote power input via SLAVE XLR (female),remote power output via MASTER XLR (male) 12 VDC / 1.5 A (18 W)Power consumption 8.5 WStandard operating temperature range 5° - 45° C (41° - 113° F)Dimensions 49 x 483 x 169 mm (1.9 x 19.0 x 6.7")Weight 2.2 kg (4.9 lbs)